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| Lenders | 6 | |
| Foreword | 7 | |
| Acknowledgments | 8 | |
| In living colour: A short history of colour and sculpture in the 19th century | 11 | |
| Colour, sculpture, mimesis: A 19th-century debate | 61 | |
| Sculpture colouring and the industries of art in the 19th century | 73 | |
| Under the spell of Madame Tussaud: Aspects of 'high' and 'low' in 19th-century polychromed sculpture | 83 | |
| Art for the sake of the soul: Polychrome sculpture and literary Symbolism | 83 | |
| Painter-sculptors and polychromy in the evolution of modernism | 103 | |
| Catalogue | 117 | |
| Notes | 241 | |
| Select bibliography | 257 | |
| Index | 271 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add The Colour of Sculpture : 1840-1910, Sculpture is commonly associated with the three dimensions of volume, while color is claimed as the exclusive means of expression for painters. However, polychromy was widely used in sculpture from the Middle Ages to the Baroque and beginning in 1814, the, The Colour of Sculpture : 1840-1910 to the inventory that you are selling on WonderClubX
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Add The Colour of Sculpture : 1840-1910, Sculpture is commonly associated with the three dimensions of volume, while color is claimed as the exclusive means of expression for painters. However, polychromy was widely used in sculpture from the Middle Ages to the Baroque and beginning in 1814, the, The Colour of Sculpture : 1840-1910 to your collection on WonderClub |