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This book draws together pioneering contributions to the study of the processes by which music is created. It redresses a balance in contemporary literature on the psychology of music which has, to date, concentrated mainly on receptive processes. The focus throughout is on empirical observation and the development of cognitive theory, with fascinating explorations of such topics as the generation of expression in musical performance, problems of synchrony in ensemble performance, improvisational skill in trained and untrained musicians, childrens' spontaneous notations for music, and formal constraints on compositional systems.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Sa Da
reviewed Musik schöpfen, Musik hören on January 26, 2011
Musik schöpfen
This is a good intro into psychology. However, I felt that starting with the mechanics off the brain in the beginning made it rather intense and didn't help as much as I think the author intended. Some of the chapters mixed concepts that I didn't feel went together cohesive, so that became an issue, especially in later chapters. Most of the examples are relatable and well explained. The book is a good overview psychology, but I felt the heavy focus on neurobiology in the first handful of chapters set me back as a reader instead of getting me along.
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