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Preface | 7 | |
Home | 9 | |
Cuba Libre | 11 | |
Letter to Jules Feiffer | 63 | |
Tokenism: 800 Yearn for Five Cents | 68 | |
Black Is a Country | 82 | |
City of Harlem | 87 | |
Cold, Hurt and Sorrow (Streets of Despair) | 94 | |
Street Protest | 97 | |
Soul Food | 101 | |
Myth of a Negro Literature | 105 | |
Brief Reflections on Two Hot Shots | 116 | |
A Dark Bag | 121 | |
What Does Nonviolence Mean? | 133 | |
The Dempsey-Liston Fight | 155 | |
Black Writing | 161 | |
Expressive Language | 166 | |
Hunting Is Not Those Heads on the Wall | 173 | |
LeRoi Jones Talking | 179 | |
Last Day of the American Empire (Including Some Instructions for Black People) | 189 | |
The Revolutionary Theatre | 210 | |
American Sexual Reference: Black Male | 216 | |
Blackhope | 234 | |
The Legacy of Malcolm X, and the Coming of the Black Nation | 238 | |
State/Meant | 251 |
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Add Home: Social Essays, Jones/Baraka usually speaks as a Negro—and always as an American. He is eloquent, he is bold. He demands rights—not conditional favors.—The New York Times Book Review In 2007, Akashic Books ushered Amiri Baraka back into the forefront of Ameri, Home: Social Essays to the inventory that you are selling on WonderClubX
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Add Home: Social Essays, Jones/Baraka usually speaks as a Negro—and always as an American. He is eloquent, he is bold. He demands rights—not conditional favors.—The New York Times Book Review In 2007, Akashic Books ushered Amiri Baraka back into the forefront of Ameri, Home: Social Essays to your collection on WonderClub |