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Pulse and Impulse | ||
I. | Good Gray Poets and Great Horned Owls | 11 |
II. | Apple Trees and Belly Dancers | 20 |
Against Your Beliefs | 31 | |
Shapes Merging and Emerging | 51 | |
Disgracing Are Verse: Sense, Censors, Nonsense and Extrasensory Deceptions | 77 | |
I. | Codes, Hums and Puns | 77 |
II. | The High Art of Mistranslation | 91 |
III. | Dialects, Babblings, Styles | 110 |
Whitman's Selfsong | 131 | |
I. | Dilemma and Doctrine | 131 |
II. | Structure | 140 |
III. | Synergy and Syntactics | 149 |
IV. | Line and Rhythm | 157 |
V. | Conclusions | 170 |
Meter, Music, Meaning | 173 | |
I. | Rhythms in Stress Meter | 176 |
II. | Rhythms in Syllabic Meter | 196 |
III. | Rhythms in Syllabic-Stress Meter | 206 |
Acknowledgments | 233 | |
About the Author | 235 | |
Index | 236 | |
Colophon | 244 |
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Add To Sound Like Yourself: Essays on Poetry, In his first collection of essays on poetry in 27 years, W.D. Snodgrass goes after that seminal quality, the poet's individual voice, that separates the best poetry from the merely technical and pedantic. Beginning with an essay on the poetic impulse, and, To Sound Like Yourself: Essays on Poetry to the inventory that you are selling on WonderClubX
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Add To Sound Like Yourself: Essays on Poetry, In his first collection of essays on poetry in 27 years, W.D. Snodgrass goes after that seminal quality, the poet's individual voice, that separates the best poetry from the merely technical and pedantic. Beginning with an essay on the poetic impulse, and, To Sound Like Yourself: Essays on Poetry to your collection on WonderClub |