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British artist Steve McQueen has gained an international reputation for his original short films. Using sound, light, architecture, and sculptural form, McQueen probes the possibilities and boundaries of the moving image. Included in this exhibition catalogue are stills from his most recent works, Deadpan (1997), a hypnotic recreation of a classic Buster Keaton routine, and Drumroll (1998), a multi-screen color work which records the dizzying journey of a barrel as it rolls through the streets of Manhattan. This is the first substantial catalogue dedicated to McQueen's work, and contains critical essays by Robert Storr, Michael Newman, and Okwui Enwezor.
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