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Book Categories |
Preface | 6 | |
Acknowledgements | 8 | |
Photograph Credits | 9 | |
I | Historical Introduction | 11 |
Plates | 31 | |
II | Women Trade Binders at the End of the 19th Century | 65 |
III | Embroidered Bookbindings | 77 |
Painted Vellum Bindings | 83 | |
Vernis sans Odeur | 85 | |
Vellucent Bindings | 86 | |
Sutherland Bindings | 87 | |
Metalwork Bindings, Clasps & Bosses | 89 | |
Cosway Bindings | 89 | |
Fore-edge Painting | 90 | |
IV | Modelled Leather Bindings, and Pokerwork | 91 |
V | Sarah Treverbian Prideaux | 104 |
VI | Frank Karslake and The Guild of Women Binders | 115 |
VII | Katharine Adams | 131 |
VIII | Sybil Pye | 147 |
IX | Pupils, and Other Women Bookbinders | 156 |
X | Women Binders in America and Elsewhere Abroad | 177 |
App. 1 | Sarah Prideaux's Tools, and a List of her Bindings | 192 |
App. 2 | Katharine Adams' Tools, and a List of her Bindings | 199 |
App. 3 | Sybil Pye's Tools, and a List of her Bindings | 205 |
App. 4 | A List of Women and Groups Associated with the Guild of Women Binders | 215 |
App. 5 | Bindings by Elizabeth M. MacColl | 216 |
App. 6 | Some Women Binders Not Mentioned in the Text | 218 |
App. 7 | List of British Women in charge of Bookbinder's Shops, 1648-1901 | 220 |
Selected Bibliography | 223 | |
Notes | 224 | |
Index | 237 |
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