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Introduction
Section I. Civilization as Narrative
I. Tradition and the Lunatics
II. Learning to Tell Your Story
III. The Latin Invasions of English
IV. Back to the Future
V. The Classics, the Founding, and American Creativity
VI. Federalism and Christianity
VII. The Enlightenment Project
VIII. The Ghost Dance: Liberalism in Crisis
IX. The Classics and the Traditional Liberal Arts
Curriculum
Section II. The Good, the Bad, and the Postmodern
X. Postmodernism and the End of the Humanities
XI. The Final Solution of the Philological Problem
XII. Scholarship and Bricolage
XIII. Margaret Fuller in Rome
XIV. Passion and Pedantry
XV. J. R. R. Tolkien: Inventing Lost Worlds
Section III. Contemporary Chronicles: Role Models and
Popular Culture
XVI. Russell Kirk: Bohemian Tory
XVII. Douglas Young: A Free-minded Scot
XVIII. Still in Saigon in My Mind
XIX. Paying and Praying on the Old Homestead
XX. Arms and the Man: Clint Eastwood as Hero and
Filmmaker
XXI. Publishers and Sinners: Arousing Interest in the
Century's Top 100 Novels
XXII. Things You See Better in the Dark: The Fate of
American Cinema
Epilogue: Optatives and Imperatives for the Next
Millennium
Appendix: Doing it On Your Own
Index
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Add The Devil Knows Latin: Why America Needs the Classical Tradition, For generations scholars treated the United States as a unique country whose cultural history could be studied in isolation from world events and traditions. More recently, writers have shown an increased awareness that American society, far from developi, The Devil Knows Latin: Why America Needs the Classical Tradition to your collection on WonderClub |