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Foreword | ||
Notes on the contributors | ||
Introduction: Once upon a time... | 1 | |
Towards a feminist art | 12 | |
Notes for discussion: the Women's Art Register | 22 | |
Beverley Garlick and Pat Fiske, cover for Refractory Girl visual arts issue, 1975 | 30 | |
Feminist critique | 31 | |
'I think that would be a nice exhibition to do too' | 39 | |
Sexism and art education | 48 | |
Sense and sensibility: women's art and feminist criticism | 52 | |
The D'oyley Show: an exhibition of women's domestic fancywork | 57 | |
'Mothers' Memories, Others' Memories' | 71 | |
Where do positive images come from? and what does a woman want? | 80 | |
Performance, feminism and women at work | 92 | |
A decade of feminist art in review | 100 | |
It's a question of what kinds of arguments remain the most visible | 106 | |
Past the post: postmodernism and postfeminism | 109 | |
Distance, communicability and reference | 122 | |
'Too soon too late': reading Claire Johnston, 1970-81 | 126 | |
Feminist theory and the politics of art | 139 | |
This style which is not one | 154 | |
They are becoming us or they are becoming other: they are at a dangerous point | 169 | |
Banduk Marika | 195 | |
Fiona Foley | 205 | |
Going public: getting personal | 213 | |
In the wild: nature, culture, gender in installation art | 228 | |
The gender of theatrical excess | 249 | |
Marking time: Mary Kelly and Interim | 262 | |
The women's liberation movement and the visual arts: a selected chronology, 1969-90 | 277 | |
Selected bibliography, 1970-90 | 285 | |
Index | 296 |
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