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Eça de Queirós's novel is a hymn to country life: The City and The Mountains satirizes the emptiness of city life and of modernity itself. Wonderfully funny, it bubbles with joie de vivre.
If a literary heaven exists, José Maria de Eça de Queirós (1845–1900) might well be the patron saint of rakes. His bibliography sports a hardy gallery of idlers, seducers, and self-seekers who emerge relatively undiminished after getting rumpled up by adversity. In the pages of his books lurk men who outdistance the furies that collect behind calamities like, to list but a few examples: banishing one's sired newborn to a house of infanticide (The Crime of Father Amaro); bedding one's sister -- unknowingly then knowingly (The Maias); and trading away one's sister's virtue for the sake of political advantage (The Illustrious House of Ramires). Yet while the protagonists in these books seem to have a get-out-of-jail pass that Tolstoy's Anna Karenina or Zola's Nana would've clung to, Eça de Queirós is nonetheless interested in censuring the failings of society, though without necessarily tying his characters' misbehaviors to ineluctable damnation.
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