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| Introduction | 6 | |
| Victorian Prologue | 8 | |
| Fine Art | ||
| Introduction | 16 | |
| Interview: David Hockney | 20 | |
| 20s Painting | 24 | |
| 30s Painting | 26 | |
| 40s Painting | 28 | |
| Alistair Grant and The Rebel | 30 | |
| 50s Painting | 34 | |
| Pop & Ark | 38 | |
| 60s Painting | 40 | |
| David Hockney | 44 | |
| 70s Painting | 48 | |
| 80s Painting | 50 | |
| 90s Painting | 52 | |
| Tracy Emin | 54 | |
| Pre-war Sculpture | 58 | |
| Barbara Hepworth and Henry Moore | 60 | |
| 50s Sculpture | 64 | |
| 60s Sculpture | 66 | |
| 70s Sculpture | 68 | |
| 80s Sculpture | 70 | |
| 90s Sculpture | 72 | |
| 70s-80s Environmental Media | 74 | |
| 50s-60s Photography | 76 | |
| 70s Photography | 78 | |
| Boyd Webb and Calum Colvin | 80 | |
| 80s Photography | 84 | |
| 90s Photography | 86 | |
| 20s Printmaking | 88 | |
| 30s-40s Printmaking | 90 | |
| 50s Printmaking | 92 | |
| 60s Printmaking | 94 | |
| 70s Printmaking | 96 | |
| 80s Printmaking | 98 | |
| 90s Printmaking | 100 | |
| Design | ||
| Introduction | 102 | |
| Interview: James Dyson | 108 | |
| Pre-war Design | 112 | |
| Reco Capey: the neglected pioneer | 114 | |
| 40s-50s Industrial Design | 116 | |
| 60s Industrial Design | 118 | |
| 70s Industrial Design | 120 | |
| James Dyson and Dual Cyclone Technology | 122 | |
| 80s Industrial Design | 124 | |
| 90s Industrial Design | 126 | |
| Computer Related Design | 128 | |
| 50s Furniture | 130 | |
| 60s Furniture | 132 | |
| 70s Furniture | 134 | |
| 80s Furniture | 136 | |
| 90s Furniture | 138 | |
| Shaping the Future: the post-war years | 140 | |
| 70s Architecture & Interiors | 142 | |
| 80s Architecture & Interiors | 144 | |
| 90s Architecture & Interiors | 146 | |
| The New Simplicity: design for the 90s | 148 | |
| 70s Vehicle Design | 152 | |
| 80s Vehicle Design | 154 | |
| 90s Vehicle Design | 158 | |
| Gerry McGovern and the Rover Freelander | 162 | |
| Interview: Alison Britton | 164 | |
| Pre-war Ceramics | 168 | |
| Canvas-free Artists | 172 | |
| 50s-60s Ceramics & Glass | 176 | |
| 70s Ceramics & Glass | 178 | |
| The Outer Limits of Function | 182 | |
| 80s Ceramics & Glass | 186 | |
| 90s Ceramics & Glass | 190 | |
| 50s-60s Stained Glass | 194 | |
| 50s-60s Metalwork & Jewellery | 196 | |
| 70s Metalwork & Jewellery | 200 | |
| 80s Metalwork & Jewellery | 204 | |
| 90s Metalwork & Jewellery | 208 | |
| Embracing the Unexpected | 212 | |
| Interview: Philip Treacy | 214 | |
| Pre-war Textiles | 218 | |
| 50s Textiles | 220 | |
| 60s Textiles | 222 | |
| 70s Textiles | 224 | |
| 80s Textiles | 226 | |
| 90s Textiles | 228 | |
| 50s Fashion | 230 | |
| 60s Fashion | 232 | |
| Ossie Clark | 234 | |
| 70s Fashion | 238 | |
| 80s Fashion | 240 | |
| 90s Fashion | 242 | |
| The Hidden Designers | 244 | |
| Millinery | 248 | |
| Philip Treacy | 250 | |
| Communications | ||
| Introduction | 252 | |
| Interview: Ridley Scott | 256 | |
| Early Calligraphy | 260 | |
| Design for Travel: 30s posters | 262 | |
| 50s Graphic Design | 266 | |
| 60s Graphic Design | 268 | |
| Ark and the Rise of Postmodernism | 270 | |
| 70s Graphic Design | 274 | |
| 80s Graphic Design | 276 | |
| Why Not Associates | 278 | |
| 90s Graphic Design | 280 | |
| Jonathan Barnbrook | 282 | |
| 50s Illustration | 284 | |
| 60s Illustration | 286 | |
| 70s Illustration | 288 | |
| Quentin Blake | 290 | |
| 80s Illustration | 292 | |
| 90s Illustration | 294 | |
| 70s-80s Animation | 296 | |
| 90s Animation | 298 | |
| Pre-70s Film & TV | 300 | |
| Ridley Scott | 302 | |
| 70s-80s Film & TV | 306 | |
| 90s Film & TV | 308 | |
| The Future | 310 | |
| Acknowledgments and Credits | 314 | |
| Index | 316 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
John Elton
reviewed Art and Design: 100 Years at the Royal College of Art on May 26, 2013 Art and Design: 100 Years at the Royal College of Art
The more time I spent with this book, the more valuable I realize that it is. Foote explores the relationship between history and place and looks at why and how certain communities honor (or choose not to mark) specific violent and tragic events that took place there. It all comes down to the crafting of a collective identity in a community and how events that are sometimes shameful or just painful influence that collective memory.
I recently taught this book as well; at first I selected it because I knew that I had to as it is basic scholarship on the topic, but found that I referenced it almost every class session throughout the semester and walked away from the course really believing that Foote is the total authority on the subject.
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Add Art and Design: 100 Years at the Royal College of Art, Lavishly illustrated catalogue of the world- renowned artists and designers associated with the Royal College of Art, London, arguably the most influential art and design school in the world., Art and Design: 100 Years at the Royal College of Art to the inventory that you are selling on WonderClubX
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Add Art and Design: 100 Years at the Royal College of Art, Lavishly illustrated catalogue of the world- renowned artists and designers associated with the Royal College of Art, London, arguably the most influential art and design school in the world., Art and Design: 100 Years at the Royal College of Art to your collection on WonderClub |
