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Foreword | ||
Acknowledgements | ||
Introduction | 1 | |
The Teaching of Art | 5 | |
E. M. Lyddiatt | 14 | |
Edward Adamson and Before | 22 | |
Drawing and Painting in Psychotherapy | 29 | |
Picasso and Wolfli | 35 | |
Aesthetic Evaluations | 37 | |
Communication and Response | 40 | |
Being Seen - D. W. Winnicott | 42 | |
Formlessness: An Essential Stage | 46 | |
Training at St Albans | 49 | |
A Brief History of Art Therapy | 54 | |
The Blank Page | 60 | |
The Creative Process - Ehrenzweig | 62 | |
The Encounter with Art Materials | 68 | |
Colour - Within and Without | 74 | |
Modelling and Models | 86 | |
Lines and Boundaries | 89 | |
Recognition | 94 | |
Words and Pictures | 99 | |
Symbol and Image | 104 | |
Sources | 109 | |
Postscript | 118 | |
Postscript sources | 132 | |
Useful Addresses | 133 | |
Index | 134 |
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Add On Art and Therapy : An Exploration, The term 'art therapy' was coined when it was recognisedthat painting, drawing and modelling had healing effects on people. The early practitioners saw themselves as facilitators in setting free a spontaneous imaginative activity. Now verbal explorations , On Art and Therapy : An Exploration to the inventory that you are selling on WonderClubX
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Add On Art and Therapy : An Exploration, The term 'art therapy' was coined when it was recognisedthat painting, drawing and modelling had healing effects on people. The early practitioners saw themselves as facilitators in setting free a spontaneous imaginative activity. Now verbal explorations , On Art and Therapy : An Exploration to your collection on WonderClub |