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Acknowledgments | ||
Introduction | ||
1 | Widow, Prophet, and Poet: Lyrical Self-Figurations in Katherine Austen's 'Book M' (1664) | 3 |
2 | 'Public' and 'Private' in Aphra Behn's Miscellanies: Women Writers, Print, and Manuscript | 29 |
3 | 'Household Affaires are the Opium of the Soul': Damaris Masham and the Necessity of Women's Poetry | 49 |
4 | Mary Wroth's Guilty 'secrett art': The Poetics of Jealousy in Pamphilia to Amphilanthus | 69 |
5 | 'An Emblem of Themselves, in Plum or Pear': Poetry, the Female Body and the Country House | 87 |
6 | 'So May I With the Psalmist Truly Say': Early Modern Englishwomen's Psalm Discourse | 105 |
7 | The Plural Voices of Anne Askew | 137 |
8 | Mary Sidney and Gendered Strategies for the Writing of Poetry | 155 |
9 | 'Subdu'd by You': States of Friendship and Friends of the State in Katherine Philips's Poetry | 177 |
10 | 'First Fruits of a Woman's Wit': Authorial Self-Construction of English Renaissance Women Poets | 199 |
11 | A Rhetoric of Innocence: The Poetry of Katherine Philips, 'The Matchless Orinda' | 223 |
12 | 'Very Like a Fiction': Some Early Biographies of Aphra Behn | 247 |
Notes on Contributors | 271 | |
Index | 275 |
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Add Write or be written, Although the field of early modern women's studies has blossomed in recent years, little attention has been paid to women poets of the period. This new collection is specifically designed to fill the gap, applying new critical methodologies and theories t, Write or be written to the inventory that you are selling on WonderClubX
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Add Write or be written, Although the field of early modern women's studies has blossomed in recent years, little attention has been paid to women poets of the period. This new collection is specifically designed to fill the gap, applying new critical methodologies and theories t, Write or be written to your collection on WonderClub |