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Book Categories |
| List of Plates and Figures | ix | |
| List of Tables and Music Examples | xi | |
| Notes on Contributors | xiii | |
| Foreword | xvii | |
| Part 1 | Introduction | |
| 1 | Xenophilia in British Musical History | 3 |
| Part 2 | Historiography | |
| 2 | History, Historicism and the Sublime Analogy | 23 |
| 3 | Parry as Historiographer | 37 |
| Part 3 | Instruments and Performing Ensembles | |
| 4 | Who bought Concertinas in the Winter of 1851? A Glimpse at the Sales Accounts of Wheatstone and Co. | 55 |
| 5 | Violin Pedagogy in England during the first half of the Nineteenth Century, or The Incompleat Tutor for the Violin | 88 |
| 6 | The Practice and Context of a Private Victorian Brass Band | 105 |
| Part 4 | The Wesley Family | |
| 7 | The Obituary of Samuel Wesley | 121 |
| 8 | The Unknown Wesley: The Early Instrumental and Secular Vocal Music of Samuel Sebastian Wesley | 134 |
| Part 5 | Local Music History | |
| 9 | Musical Life in the 'second city of the Empire' during the 1870s as reflected in T. L. Stillie's contributions to the Glasgow Herald | 181 |
| 10 | Music in Nineteenth-Century Oxford | 201 |
| 11 | Music-Making in a Yorkshire Country House | 209 |
| Part 6 | Repertoire, Genre and Concert Life | |
| 12 | 'Personifying the Saviour?': English Oratorio and the Representation of the Words of Christ | 227 |
| 13 | The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance' | 242 |
| Part 7 | Analysis and Criticism | |
| 14 | Towards a Tradition of Music Analysis in Britain in the Nineteenth Century | 269 |
| 15 | James William Davison, Critic, Crank and Chronicler: A Re-evaluation | 303 |
| Index | 311 |
| Price | Condition | Delivery | Seller | Action |
| $130.00 | Digital |
| WonderClub |
Dave Ulmer
reviewed Nineteenth-Century British Music Studies, Vol. 1 on August 31, 2017
Nineteenth-Century British Music Studies, Vol. 1
This book has been a great read and makes me want to hunt down the long version. It is very informative and fun. But to really enjoy it you need to be interested in music of other cultures. Luckily, I am.
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