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The first novel from acclaimed author Cate Kennedy is a compassionate and unswerving portrait of a broken family whose members go to extraordinary lengths to reclaim their lives and relationships from the mistakes of the past.
Fifteen years after their break-up, Rich and Sandy have both settled into the unfulfilling compromises of middle age: he’s a late-night infomercial editor with photojournalism aspirations; she makes hippie jewelry for a local market and struggles to maintain a New Age lifestyle that fails to provide the answers she seeks. To distract themselves from their inadequacies, Rich and Sandy cling to the shining moment of their youth, when they met as environmental activists as part of a world-famous blockade to save Tasmania’s Franklin River.
Their daughter, Sophie, has always remained skeptical of this ecological fairytale, but when Rich invites her on a backpacking trip through Tasmania for her fifteenth birthday, Sophie sees it as a way to bond with a father she’s never known. As they progress further into the wilderness, the spell of Rich’s worldly charm soon gives way to suspicion and fear as his overconfidence sets off a chain of events that no one could have predicted.
In Australian Kennedy's (Dark Roots) chick friendly debut novel, 15-year-old anorexic Sophie Reynolds comes of age in a fast-paced, well-observed study of family relationships. Sophie's mother, former hippie Sandy, trundles toward middle age with hennaed hair and a flagging jewelry business. Then Rich, Sophie's father, reappears to offer a week-long backpacking trip in Tasmania that Sophie sees as an opportunity to bond with her mysterious father, annoy her mother, and indulge her obsession with rigorous exercise. Rich, a deadbeat dad with a dead-end job, hopes to impress his wayward daughter with fancy hiking gear and borrowed music. But when he strays from the path without a map, stalking the perfect photo, he endangers them both. With Rich and Sophie missing, Sandy is forced to re-examine her life: her criticizing mother; her festering resentment of Rich; and her friends, who enjoy crises more than company. The pitfalls of nostalgia and the disappointment of everyday life contrast sharply with the ravishing Tasmanian landscapes Kennedy is excellent at painting, along with interpersonal terrain, but the novel wants to be more profound than it actually is. (Feb.)
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