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Acknowledgments Introduction
Chapter 1: From Saint Genesius to Saint Genet: Actors, Martyrs, and Metatheater
Chapter 2: La Comédie des comédiens and the Defense of Theatrical Illusion
Chapter 3: La commedia da fare: Baroque and Neobaroque Metatheater in Bernini and Pirandello
Chapter 4: Hamlets and Meta-Hamlets: Shakespeare, Pirandello, Stoppard
Chapter 5: Metatheater as Manifesto: The Impromptu
Epilogue About the Author Bibliography
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Add Metatheater and Modernity: Baroque and Neobaroque, Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the pos, Metatheater and Modernity: Baroque and Neobaroque to the inventory that you are selling on WonderClubX
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Add Metatheater and Modernity: Baroque and Neobaroque, Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the pos, Metatheater and Modernity: Baroque and Neobaroque to your collection on WonderClub |