Men and Dogs Book

In April of 1985, Buzz Legare went fishing. The next day all that was found was his boat and his waiting, faithful dog.

Twenty years later, his daughter Hannah still finds hope in believing, alone among her family, that he's still alive somewhere. She has a smart husband, a thriving business, a beautiful home in San Francisco-and a huge hole in her troubled heart. True to her trademark talent for self-sabotage, she finds herself one starry night climbing up the fire escape in a desperate (and drunken) attempt to win back her own husband—and failing disastrously.

Slightly worse for the wear, Hannah returns to Charleston to salve her wounds. There, old loves, unrepented crimes, and family legends are stirred up from the dust. Hannah's brother Palmer, the stoic with a secret of his own, cannot dissuade her from a manic search to uncover clues to the past, and they will both face shocking discoveries that lead them to reconcile their very different notions of loyalty and blind faith.

As she did so memorably in her bestselling debut, Girls in Trucks, Katie Crouch has created another great voice—spiky, tender, and hilarious—in the screwball heroine Hannah Legare. Much like Julia Roberts in My Best Friend's Wedding, Hannah follows the misguided impulses of a heart that's in the right place.

Publishers Weekly

Crouch's accomplished sophomore novel kicks off with a flashback: 20-odd years ago, Buzz Legare vanished while on a fishing trip. The fallout of his disappearance and presumed death appears in his 30-something children: Hannah drinks too much, her business is failing, and her husband has kicked her out after her repeated adultery. Hannah's gay brother, Palmer, refuses to let anyone get too close—he's ready to end his yearlong relationship when his partner brings up the idea of adopting a baby. After Hannah injures herself trying to break into her husband's apartment, she heads home to Charleston, S.C., to get her life back on track, but instead finds herself pursuing the past. Damaged and vulnerable, she zigzags through her past—an old boyfriend, questions about her parents' fidelity, and finally facing down where her unwillingness to accept love has gotten her. There's nothing unique about the premise—woman in crisis goes home and discovers herself by exhuming the past—but Crouch (Girls in Trucks) handles it deftly; her dialogue is snappy, the situations darkly funny, Hannah and Palmer are unlikable but sympathetic, and there's just enough mystery to keep the pages turning. (Apr.)