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Editor's Note vii
Introduction Harold Bloom 1
Ghosts from "Down There": The Southernness of August Wilson Patricia Gantt 5
Audience and Africanisms in August Wilson's Dramaturgy: A Case Study Sandra G. Shannon 21
Race, Ritual, Reconnection, Reclamation: August Wilson and the Refiguration of the Male Dramatic Subject Keith Clark 43
Members and Lames: Language in the Plays of August Wilson William W. Cook 77
"We's the Leftovers": Whiteness as Economic Power and Exploitation in August Wilson's Twentieth-Century Cycle of Plays Çi`dem Üet;sekes 87
Images of African Traditional Religions and Christianity in Joe Turner's Come and Gone and The Piano Lesson Amanda M. Rudolph 103
Booker T. Washington, August Wilson, and the Shadows in the Garden Ladrica Menson-Furr 115
"King August": August Wilson in His Time Philip D. Beidler 131
Radio Golf: The Courage of His Convictions-Survival, Success and Spirituality Margaret Booker 149
Gem of the Ocean and the Redemptive Power of History Harry J. Elam, Jr. 161
Chronology 175
Contributors 179
Bibliography 181
Acknowledgments 185
Index 187
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Add August Wilson, August Wilson's group of 10 plays, often referred to as the Pittsburgh Cycle or the Century Cycle, established his reputation as one of the nation's most important, prolific, and honored playwrights. A two-time recipient of the Pulitzer Prize for Drama, W, August Wilson to the inventory that you are selling on WonderClubX
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Add August Wilson, August Wilson's group of 10 plays, often referred to as the Pittsburgh Cycle or the Century Cycle, established his reputation as one of the nation's most important, prolific, and honored playwrights. A two-time recipient of the Pulitzer Prize for Drama, W, August Wilson to your collection on WonderClub |