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Chris Carver is living a lie. His wife, their teenage daughter, and everyone in their circle know him as Michael Frame, suburban dad. They have no idea that as a radical student in the sixties, he briefly became a terrorist—protesting the Vietnam War by setting bombs around London. And then one day a ghost from his past turns up on his doorstep, forcing Chris on the run.
As Chris flees, he remembers his days as an isolated youth, hopelessly in love with Anna Addison. Chris's rival for Anna's affections, the charismatic Sean Ward, was the leader of the radical August 14th Group. Egging one another on, the three inched closer and closer to the edge, until the events of one horrifying night forced them apart, never to see one another again.
Gripping moving, provocative and passionate, My Revolutions brings to life both the radical idealism of the sixties and the darker currents that ran beneath it, the eddies of which still shape our history today.
Hari Kunzru's third novel, My Revolutions, opens with a man on the run. Mike Frame, a devoted husband and father living in a London suburb, is about to celebrate his 50th birthday, but he's got a real midlife crisis on his hands: his past as an underground terrorist in the 1970s has caught up with him. When an old acquaintance threatens to reveal his true identity as radical revolutionary Chris Carver, Mike/Chris flees his comfortable life and goes in search of a former lover, a notorious female bomber who may or may not still be alive. As he runs, Mike/Chris floats in and out of his memories as a disaffected youth, war protester, social crusader, hippie drug addict, and cleaned-up suburban family man. My Revolutions blends two themes found in Kunzru's previous novels -- identity transformation (The Impressionist) and social anarchy (Transmission) -- into a story that never quite takes off like it should. Structurally, the novel is superb as Kunzru moves seamlessly between the present and the past; and we travel through memory as if we're riding a Möbius strip. But My Revolutions lacks the spark to finally lift it off the page. Though we're told about our antihero's emotional dilemma and his slogan-heavy past ("We thought it had been given to us to kick-start the new world"), we never quite feel it. Kunzru presents us with a man held at arm's length and clinically examined, as if by a bomb expert carefully cutting the red wire. There is no explosion. --David Abrams
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