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You're Lucky You're Funny: How Life Becomes a Sitcom Book

You're Lucky You're Funny: How Life Becomes a Sitcom
You're Lucky You're Funny: How Life Becomes a Sitcom, , You're Lucky You're Funny: How Life Becomes a Sitcom has a rating of 4.5 stars
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  • You're Lucky You're Funny: How Life Becomes a Sitcom
  • Written by author Phil Rosenthal
  • Published by Phoenix Books, Incorporated, November 2006
  • "The creator and executive producer of Everybody Loves Raymond dissects the art of comedy and the making of a sitcom classic" In television, where programs can premiere and disappear in the same week, Everybody Loves Raymond reigned as America's best-love
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"The creator and executive producer of Everybody Loves Raymond dissects the art of comedy and the making of a sitcom classic" In television, where programs can premiere and disappear in the same week, Everybody Loves Raymond reigned as America's best-loved show for nine years with more than seventeen million viewers. As the number-one sitcom, it received more than seventy Emmy nominations, including two wins for best comedy. With You?re Lucky You?re Funny, Phil Rosenthal takes us onstage and inside the writer's room. Rosenthal's meteoric ascent was preceded by odd jobs, including a stint as a museum security guard, running a deli, and writing for a slew of forgettable shows?including one starring Robert Mitchum as a curmudgeonly homeless man taken in by two orphans. But when he met comedian Ray Romano, they discovered a shared lifetime of family dysfunction?and endless material for a sitcom.

Publishers Weekly

In 1996, TV scriptwriter Rosenthal created Everybody Loves Raymond by stirring the standup comedy of Ray Romano into his own family memories. With Rosenthal as executive producer and inexperienced actor Romano basically portraying himself, their successful sitcom found an audience of 17 million viewers and ran for nine seasons (1996-2005), receiving over 70 Emmy nominations. Rosenthal offers a comedic chronicle of his own life, weaving wit and humor into every page. After a Bronx boyhood as a "shrimpy little nothing," his high school obsession with TV led to college theater, odd jobs (museum guard, deli manager) and a New York acting career that bottomed out. Arriving in L.A., he discovered it was "suburbia without the urbia," and after five years of grinding out scripts for now-forgotten sitcoms, he lit the Romano rocket. Rosenthal details it all character development, devising dialogue, casting, table reads, run-throughs, doing publicity and dealing with interfering studio executives. Aspiring TV comedy writers and producers will see this as a valuable textbook of insights from an insider, while fans now buying DVD sets will welcome the vast array of amusing anecdotes and background information. Rosenthal also pokes the dark underbelly of "phoney baloney Hollywood," so parts of this book are like listening to a very long and funny standup routine. (Oct. 23) Copyright 2006 Reed Business Information.


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