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Book Categories |
Introduction | xv | |
Chronology | xxxi | |
The Author's Preface to the Third Edition (1841) | xxxv | |
Chapter 1 | Treats of the place where Oliver Twist was born, and of the circumstances attending his birth | 1 |
Chapter 2 | Treats of Oliver Twist's growth, education, and board | 5 |
Chapter 3 | Relates how Oliver Twist was very near getting a place, which would not have been a sinecure | 17 |
Chapter 4 | Oliver, being offered another place, makes his first entry into public life | 27 |
Chapter 5 | Oliver mingles with new associates. Going to a funeral for the first time, he forms an unfavourable notion of his master's business | 35 |
Chapter 6 | Oliver, being goaded by the taunts of Noah, rouses into action, and rather astonishes him | 47 |
Chapter 7 | Oliver continues refractory | 53 |
Chapter 8 | Oliver walks to London. He encounters on the road a strange sort of young gentleman | 61 |
Chapter 9 | Containing further particulars concerning the pleasant old gentleman, and his hopeful pupils | 71 |
Chapter 10 | Oliver becomes better acquainted with the characters of his new associates; and purchases experience at a high price. Being a short, but very important chapter, in this history | 79 |
Chapter 11 | Treats of Mr. Fang the Police Magistrate; and furnishes a slight specimen of his mode of administering justice | 85 |
Chapter 12 | In which Oliver is taken better care of than he ever was before. And in which the narrative reverts to the merry old gentleman and his youthful friends | 95 |
Chapter 13 | Some new acquaintances are introduced to the intelligent reader, connected with whom, various pleasant matters are related, appertaining to this history | 105 |
Chapter 14 | Comprising further particulars of Oliver's stay at Mr. Brownlow's, with the remarkable prediction which one Mr. Grimwig uttered concerning him, when he went out on an errand | 115 |
Chapter 15 | Showing how very fond of Oliver Twist, the merry old Jew and Miss Nancy were | 127 |
Chapter 16 | Relates what became of Oliver Twist, after he had been claimed by Nancy | 135 |
Chapter 17 | Oliver's destiny continuing unpropitious, brings a great man to London to injure his reputation | 147 |
Chapter 18 | How Oliver passed his time in the improving society of his reputable friends | 157 |
Chapter 19 | In which a notable plan is discussed and determined on | 167 |
Chapter 20 | Wherein Oliver is delivered over to Mr. William Sikes | 179 |
Chapter 21 | The Expedition | 189 |
Chapter 22 | The Burglary | 197 |
Chapter 23 | Which contains the substance of a pleasant conversation between Mr. Bumble and a lady; and shows that even a beadle may be susceptible on some points | 205 |
Chapter 24 | Treats of a very poor subject. But is a short one, and may be found of importance in this history | 213 |
Chapter 25 | Wherein this history reverts to Mr. Fagin and Company | 221 |
Chapter 26 | In which a mysterious character appears upon the scene; and many things, inseparable from this history, are done and performed | 229 |
Chapter 27 | Atones for the unpoliteness of a former chapter; which deserted a lady, most unceremoniously | 243 |
Chapter 28 | Looks after Oliver, and proceeds with his adventures | 251 |
Chapter 29 | Has an introductory account of the inmates of the house, to which Oliver resorted | 261 |
Chapter 30 | Relates what Oliver's new visitors thought of him | 267 |
Chapter 31 | Involves a critical position | 275 |
Chapter 32 | Of the happy life Oliver began to lead with his kind friends | 287 |
Chapter 33 | Wherein the happiness of Oliver and his friends, experiences a sudden check | 297 |
Chapter 34 | Contains some introductory particulars relative to a young gentleman who now arrives upon the scene; and a new adventure which happened to Oliver | 307 |
Chapter 35 | Containing the unsatisfactory result of Oliver's adventure; and a conversation of some importance between Harry Maylie and Rose | 319 |
Chapter 36 | Is a very short one, and may appear of no great importance in its place, but it should be read notwithstanding, as a sequel to the last, and a key to one that will follow when its time arrives | 327 |
Chapter 37 | In which the reader may perceive a contrast, not uncommon in matrimonial cases | 331 |
Chapter 38 | Containing an account of what passed between Mr. and Mrs. Bumble, and Mr. Monks, at their nocturnal interview | 343 |
Chapter 39 | Introduces some respectable characters with whom the reader is already acquainted, and shows how Monks and the Jew laid their worthy heads together | 355 |
Chapter 40 | A strange interview, which is a sequel to the last chapter | 371 |
Chapter 41 | Containing fresh discoveries, and showing that surprises, like misfortunes, seldom come alone | 379 |
Chapter 42 | An old acquaintance of Oliver's, exhibiting decided marks of genius, becomes a public character in the metropolis | 391 |
Chapter 43 | Wherein is shown how the Artful Dodger got into trouble | 403 |
Chapter 44 | The time arrives for Nancy to redeem her pledge to Rose Maylie. She fails | 415 |
Chapter 45 | Noah Claypole is employed by Fagin on a secret mission | 423 |
Chapter 46 | The Appointment kept | 427 |
Chapter 47 | Fatal Consequences | 439 |
Chapter 48 | The Flight of Sikes | 447 |
Chapter 49 | Monks and Mr. Brownlow at length meet. Their conversation, and the intelligence that interrupts it | 457 |
Chapter 50 | The Pursuit and Escape | 469 |
Chapter 51 | Affording an explanation of more mysteries than one, and comprehending a proposal of marriage with no word of settlement or pin-money | 483 |
Chapter 52 | Fagin's last night alive | 497 |
Chapter 53 | And Last | 507 |
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Add Oliver Twist, The gaunt, pathetic figure of orphan Oliver being refused more gruel has become a literary and cultural icon, embedded in the national consciousness as a searing image of poverty and helplessness, dramatizing as it does the extent to which what is taken f, Oliver Twist to the inventory that you are selling on WonderClubX
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Add Oliver Twist, The gaunt, pathetic figure of orphan Oliver being refused more gruel has become a literary and cultural icon, embedded in the national consciousness as a searing image of poverty and helplessness, dramatizing as it does the extent to which what is taken f, Oliver Twist to your collection on WonderClub |