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Preface | ||
The Subway | 1 | |
Summer | 1 | |
Venice | 2 | |
Villa D'Este | 2 | |
Neighbor sneaks refuse to my roof | 3 | |
At first sight, not Pollock, Kline scared | 3 | |
Three Posthumous Poems | 4 | |
Afternoons in Ceylon | 7 | |
Wondrous the Merge | 8 | |
In Our Image, After Our Likeness | 13 | |
Colloquy on a Bed | 13 | |
The Wall | 14 | |
My Shoulder for Robert. Help Us Both | 14 | |
In April | 15 | |
Bare | 15 | |
What You Can Do | 15 | |
Scanning | 16 | |
The Near Beyond | 16 | |
17 March | 16 | |
Friendly Greeting | 16 | |
Questions for Eros | 17 | |
Duplicity | 17 | |
Your Way Too | 18 | |
Lucifer | 18 | |
Anyway | 19 | |
For My Friend, Jerry, He Drunk | 19 | |
Circulations of the Song | 20 | |
A Head | 32 | |
Letter to a Friend: Who Is Nancy Daum? | 34 | |
Poem | 39 | |
Tom | 40 | |
A View | 43 | |
Dietrich | 45 | |
Garbo | 45 | |
Callas | 47 | |
Whatever Became of: Freud | 48 | |
Post Masturbatum | 50 | |
Getting to Know You | 51 | |
from The Poetry File | 52 | |
Chaco Canyon | 57 | |
Even on Sunday | 61 | |
In Remembrance of Matthew Shepard | 66 | |
Orpheus' Song to Apollo | 67 | |
Lives of the Philosophers: Diogenes | 68 | |
When Your Body Brushed Against Mine | 68 | |
The Song of the Bird in the Loins | 69 | |
Some Notes on Whitman for Allen Joyce | 69 | |
Love Poems | 71 | |
A Portrait of the Artist as a Young Landscape | 75 | |
Spincter | 79 | |
After the Party | 79 | |
C'mon Pigs of Western Civilization Eat More Grease | 80 | |
Excrement | 82 | |
You know what I'm saying'? | 84 | |
Multiple Identity Questionaire | 84 | |
Things I'll Not Do | 85 | |
Farewell Performance | 87 | |
Naphtha | 89 | |
Poem ('Lana Turner') | 90 | |
Cornkind | 91 | |
For the Chinese New Year & For Bill Berkson | 92 | |
They Dream Only of America | 97 | |
Sortes Vergilianae | 98 | |
The Ice-Cream Wars | 100 | |
Forgotten Sex | 101 | |
The Laughter of Dead Men | 103 | |
The Celibate | 104 | |
No Saints in 3 Acts | 104 | |
Black Orpheus | 105 | |
Afta a Bob Creeley Poem | 105 | |
from Orgasms/Dominations: XII | 106 | |
An Inlet of Reality, or Soul | 115 | |
Planting the Amplitudes | 116 | |
The Curve | 117 | |
Blue Decrepit Town | 119 | |
To the Boy Charioteer | 121 | |
The Look-Out Tower at Mount Venus, Louisiana | 123 | |
Syllables in the Form of Leaves | 123 | |
The Chameleon | 125 | |
Finger Exrercises | 125 | |
The Anchorite | 126 | |
The Distances to the Friend | 127 | |
Dangerous Calamus Emotions | 128 | |
The Electronic Lyre, Strung with Poets' Sinews | 129 | |
Blue Ball Blues | 130 | |
The Honey Lamb | 131 | |
The Arrival of the Titanic | 132 | |
The Death of John Berryman | 132 | |
Plum | 133 | |
Archaeopteryx | 134 | |
T.S. Eliot at One Hundred and Seven | 135 | |
Famous Friends | 136 | |
The Problem | 137 | |
The Dump | 138 | |
A Wood Near Athens | 140 | |
What Word Did the Greeks Have for It? | 142 | |
My Last Hustler | 145 | |
Bare Bones | 147 | |
from On Amphetamine and In Europe | 157 | |
Yellowknife Bay | 167 | |
The Garbos and Dietrichs | 174 | |
A poem for cocksuckers | 174 | |
Act #2 | 175 | |
Two Years Later | 176 | |
The Eagle Bar | 177 | |
How To Cope with This? | 178 | |
Wednesday or Something | 178 | |
Youth | 179 | |
Here for the Night | 181 | |
After the Orgasm | 183 | |
The Gay World Has Changed | 183 | |
The Hurricaine Lamp | 185 | |
In the Next Room | 186 | |
A Reading of This Poem | 186 | |
True Loves | 187 | |
A Lecture on Avant-Garde Art | 188 | |
A Way of Happening | 189 | |
A Partial Index to Myself | 191 | |
Beam 11, Finial | 194 | |
Beam 16, The Voices | 196 | |
Beam 17, The Book of Orpheus | 199 | |
Beam 18 | 202 | |
August 31[superscript st] - September 5[superscript th] | 203 | |
Pornographic Poem | 204 | |
Hi-Risque | 206 | |
None of Them Wanted To Go | 209 | |
The First Time | 213 | |
Taken to a Room | 214 | |
Making Love to Myself | 215 | |
The Salt Ecstasies | 216 | |
Oshi | 217 | |
By These Waters | 218 | |
In the Western Night | 218 | |
A Coin for Joe, with the Image of a Horse; c.350-325 B.C. | 221 | |
The Yoke | 222 | |
Luggage | 222 | |
For the Twentieth Century | 223 | |
from I Remember | 225 | |
Seeing All the Vermeers | 234 | |
Ouija | 241 | |
Love's Dial | 247 | |
City of Men | 254 | |
Full Circle: Postscript to 'City of Men' | 260 | |
from Involuntary Lyrics: XVIII, LXXIII | 261 | |
1963 | 263 | |
Leaving Ybor City | 265 | |
When They Informed Him | 267 | |
The Will To Live Manifests Itself | 268 | |
After You Died | 269 | |
Nights of 1990 | 270 | |
Desire under the Pines | 276 | |
Summer, South Brooklyn | 277 | |
Pretty Convincing | 277 | |
Here Comes the Bride | 280 | |
Ordinary Time | 281 | |
D.O.A. | 283 | |
Birthday | 286 | |
Gay Pharmacy | 287 | |
Bending In | 289 | |
Days of'66-'73 | 294 | |
Rain | 301 | |
Nude | 302 | |
Words To Be Broadcast over Eagle's Nest Sound System - I | 304 | |
Words To Be Broadcast over Eagle's Nest Sound System - II | 305 | |
An Elizabethan Sonnet for D. W. | 306 | |
Winged Torso of Eros | 307 | |
Pneuma 1967 | 307 | |
Corpus | 308 | |
Mangosteens | 310 | |
The New World | 312 | |
Open House | 313 | |
Boy Wearing a Dress | 314 | |
True Story | 315 | |
Cemetery without Crosses | 317 | |
Deep Red | 317 | |
The Door into Darkness | 318 | |
Giallo | 319 | |
Inferno | 320 | |
The Stendhal Syndrome | 322 | |
Suspiria | 323 | |
Trauma | 324 | |
Zombie | 325 | |
BL | 326 | |
My Past | 327 | |
JFK Jr. to Play Father in Film | 328 | |
Darkens | 329 | |
Teen Idol | 330 | |
Some Whore | 332 | |
Hockney Blue Pool | 334 | |
Eighteen to Twenty-One | 335 | |
Red Parade | 338 | |
Of Mere Plastic | 340 | |
Chatty Cathy Villanelle | 342 | |
Difference | 343 | |
Crepe de Chine | 345 | |
Where You Are | 348 | |
Getting Happy | 352 | |
Goldsoboro Narrative #24: Second Benediction | 353 | |
Goldsoboro Narrative #28 | 354 | |
A Boy Doesn't Know | 355 | |
Crossroads | 356 | |
Sung from a Hospice | 357 | |
Fleur | 358 | |
Amalgam | 361 | |
from Erotic Collectibles: 1978 | 368 | |
from Star Vehicles: I'm Not in Darling | 369 | |
from Star Vehicles: The Garbo Index | 369 | |
History of Boys | 371 | |
Poem for George Platte Lynes | 374 | |
Elegy | 379 | |
King of Hearts | 379 | |
Toys | 381 | |
Luna Moth | 382 | |
Alba: Come | 383 | |
Tunnel | 384 | |
As from a Quiver of Arrows | 386 | |
Meditation: Surrender | 387 | |
Noli Me Tangere | 389 | |
Sangre de Cristo | 389 | |
The Knower of the Field | 391 | |
The Pseudo-Homosexual | 392 | |
Why Not Pleasure the Bigot's Body | 393 | |
Nod | 395 | |
Against the See-Through Plastic Curtain of the West | 396 | |
Blood Test | 400 | |
Your Feet | 401 | |
In Sickness and in Health | 402 | |
gary asleep in his recliner | 404 | |
tall and thin and young and lovely | 405 | |
now the mirrored rooms seem comic | 406 | |
this is my last trick | 407 | |
how would ed lower himself to sleep | 408 | |
only the cruisy toilets will suffer this rascal | 409 | |
sheet wrapped as a burnoose | 410 | |
your torso | 410 | |
you're thin again handsome | 411 | |
third-world hunger strikes you | 411 | |
you don't have syphilis | 412 | |
cherry elixir | 412 | |
A Plague for Kit Marlowe | 413 | |
Nights and Days of Nineteen-Something | 415 | |
The Beautiful | 415 | |
Les Semblables | 419 | |
Semantics at Four P.M. | 420 | |
Little Hands | 422 | |
A Poet's Education | 425 | |
The Battle Hymn of the Republic | 428 | |
Difficult Body | 430 | |
Unmade Bed | 431 | |
No Place Like Home | 432 | |
Slutty | 433 | |
Knowing You Could Is Better than Knowing You Will | 434 | |
Shine | 435 | |
Tingling in the Extremities | 435 | |
Cocksucker's Blues | 437 | |
Buffed Fag | 440 | |
Lick My Butt | 441 | |
Communion, Said the Barfly | 443 | |
On Aesthetics | 446 | |
Afterword | 448 | |
Selected Bibliography | 451 | |
Recommended Reading | 454 |
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Add Word of Mouth: An Anthology of Gay American Poetry, Poetry. Gay/Lesbian Studies. Edited by Timothy Liu, himself an accomplished poet (VOX ANGELICA, SAY GOODNIGHT), the formidable anthology WORD OF MOUTH covers a vast range of work by twentieth-century gay American poets. Arranged in order of the poets, Word of Mouth: An Anthology of Gay American Poetry to the inventory that you are selling on WonderClubX
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Add Word of Mouth: An Anthology of Gay American Poetry, Poetry. Gay/Lesbian Studies. Edited by Timothy Liu, himself an accomplished poet (VOX ANGELICA, SAY GOODNIGHT), the formidable anthology WORD OF MOUTH covers a vast range of work by twentieth-century gay American poets. Arranged in order of the poets, Word of Mouth: An Anthology of Gay American Poetry to your collection on WonderClub |