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Acknowledgments | ||
Introduction: On Being "Two Jewish" in "This Weird Loop" | 1 | |
1 | Learning to Be "More American" - The Goldbergs | 17 |
2 | "Write Yiddish, Cast British" - From Dick Van Dyke to Mrs. G | 48 |
3 | Prime-Time Intermarriage I - Bridget Loves Bernie | 78 |
4 | The Dramas - thirtysomething and Northern Exposure | 104 |
5 | Intermarriage II (Shiksa Goddesses Transforming Jewish Guys) - Anything But Love, Flying Blind, Mad About You, Brooklyn Bridge, and More | 140 |
6 | Intermarriage III (Some Jewish Women Get Gentile Guys) - Rhoda, The Nanny, Dharma & Greg, Friends, Will & Grace | 172 |
7 | A "Too-Jewish"/Not-Jewish-Enough Jew for the '90s - Seinfeld | 201 |
8 | Looping Back, Breaking Ground, and Calculating Loss - 100 Centre Street, The Education of Max Bickford, State of Grace | 218 |
Notes | 243 | |
Index | 263 |
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Add The Jews of Prime Time, How did it happen that in a time when networks were run by Jewish men, and many television shows were written by Jewish writers, there were so few identifiably Jewish characters on television? In his provocative book, David Zurawik marshalls compelling ev, The Jews of Prime Time to the inventory that you are selling on WonderClubX
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Add The Jews of Prime Time, How did it happen that in a time when networks were run by Jewish men, and many television shows were written by Jewish writers, there were so few identifiably Jewish characters on television? In his provocative book, David Zurawik marshalls compelling ev, The Jews of Prime Time to your collection on WonderClub |