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Final Cut Express : Make the Cut Book

Final Cut Express : Make the Cut
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Final Cut Express : Make the Cut, Final Cut Express: Make the Cut is for anyone who has a DV Camera, Final Cut Express, a Macintosh, and an idea for a digital film. Your idea could be anything: a short documentary about your community, a home video, even a film that you need to mak, Final Cut Express : Make the Cut
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  • Final Cut Express : Make the Cut
  • Written by author Kyle McCabe
  • Published by Charles River Media, 2003/11/20
  • Final Cut Express: Make the Cut is for anyone who has a DV Camera, Final Cut Express, a Macintosh, and an idea for a digital film. Your idea could be anything: a short documentary about your community, a home video, even a film that you need to mak
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Authors

Foreword xv
Acknowledgments xvii
Introduction xix
Part I Production and Technical Concerns 1
Chapter 1 Getting Started 3
Hardware Overview 4
FireWire Cables 5
Internal and External Hard Drives 6
The DV Deck 9
Video Reference Monitor 9
Speakers 10
Software Requirements 11
Tweaking OS X (Jaguar) for Final Cut Express 12
The Dock 12
Screen Effects 13
Displays 14
ColorSync 15
Energy Saver 16
QuickTime 16
Sharing 17
Date & Time 17
Speech 17
Universal Access 18
Chapter 2 Selecting a DV Camera and Shooting for the Edit 19
What to Look for in a DV Camera 20
Chip Size 20
Optical Zoom 20
Lens Size 20
Horizontal Resolution 21
Pull-Out LCD Monitor 21
MegaPixel 21
Calibrating Your DV Camera 21
Focus 22
Aperture (Iris/Exposure) 22
Gain 22
Shutter Speed 22
White Balance 23
End Search (Preventing Timecode Break) 23
Audio Levels 23
Camera Accessories 24
Tripod 24
Shoe Mount Adapter 24
Viewfinder Hood 25
Filters 25
Wide-Angle Lens 25
Camera-Mount Microphone 26
Wind Muff 26
Boom Pole 26
Lavalier Microphone 27
Camera-Mount Light 27
Stylizing Your Footage 28
Using a Clapboard 28
Multiple Angles 29
Padding 30
Composition/Framing 30
Getting Multiple Takes 30
Continuity 31
Producing B-Roll 31
Straight and Dutch Shooting 31
Zooms, Pans, and Body Motions 32
Resolves 33
Cheap Lighting Setups 33
Disc Reflector 34
Chapter 3 Setting Up Final Cut Express 35
Installing Final Cut Express 36
How Final Cut Express Works 38
Tweaking the Final Cut Express Preferences 39
The General Tab 40
Timeline Options 42
External Editors 43
Scratch Disks 44
The Final Cut Express Interface 45
Configuring the Interface 46
The Browser 47
The Capture Window 49
The Viewer 50
The Timeline 53
The Canvas 54
The Tool Box 56
The Audio Meter 57
Part II Assistant Editing: Getting It In 59
Chapter 4 Preparing Your Project 61
Getting Your Project Ready 62
Opening an Existing Project 63
Saving Your Project 64
Closing Your Project 66
Setting Up the Browser 67
Anatomy of the Browser 68
Creating New Bins 69
Preparing Bins for Capturing 71
Creating a New Sequence 72
Chapter 5 Bringing Your Media into Final Cut Express 75
Preparing the Capture Window 76
Anatomy of the Capture Window 76
Capturing on the Fly 81
Capturing an Individual Clip 83
Naming Your Clips 85
How Should I Name My Clips? 87
Importing Audio 88
Importing Photography and Graphics 91
Chapter 6 Working the Browser 95
Selecting and Sorting: Working a Loaded Browser 96
Anatomy of the Browser Iconography 96
Selecting 97
Sorting 98
Finding Media 101
Anatomy of the Find Window 101
Whoops! My Media Is Offline! 102
Part III The Editorial Process: Making the Cut 107
Chapter 7 Laying Out the Rough Cut 109
Viewing Your Clips in the Viewer 110
Anatomy of the Viewer 110
Trimming Your Clips 114
Adding and Targeting Video and Audio Tracks in the Timeline 116
Adding Audio and Video Tracks 117
Deleting Tracks 118
Target Tracks 119
Three-Point Editing: Bringing Clips into the Timeline 121
Three-Point Editing 121
Using the Canvas 123
Straight to the Timeline 126
Playing Back Your Cut 128
In the Timeline 129
In the Canvas 129
Chapter 8 Making the Fine Cut 135
Working the Timeline and Canvas 137
Anatomy of the Timeline 138
Anatomy of the Tool Box (Selection Tools) 139
Selecting Clips on the Timeline 141
Copying and Pasting Clips on the Timeline 144
Linking and Unlinking Clips 148
Audio and Video 148
Stereo Audio 150
Working with Markers 152
Adding and Altering Markers 152
Deleting Markers 154
Cutting with the Razor Blade 156
Anatomy of the Tool Box (the Razor Blade) 157
Using the Mouse to Trim 160
Anatomy of the Tool Box (Magnifying Glass) 161
Slip and Slide Edits 165
Anatomy of the Tool Box (the Slip and Slide Tools) 165
Slip Cutting 165
Slide Cutting 168
Roll and Ripple Edits 170
Anatomy of the Tool Box (Roll and Ripple) 171
Roll Cutting 172
Anatomy of the Trim Edit Window 173
Ripple Cutting 179
Chapter 9 Video and Audio Transitions 187
Inserting Transitions 188
Drag and Drop 189
Contextual Menu 192
The Effects Menu 194
Changing the Transition's Duration 196
Dragging the Edges 196
Ctrl-Clicking 198
In the Viewer 198
Anatomy of the Viewer for Transition Alterations 199
Exploring Alternative Transitions 205
Cross Zoom (3D Simulation Effect) 209
Additive Dissolve (Dissolve Effect) 211
Soft Wipe (FXScript DVEs) 211
Oval Iris (Iris Effect) 213
Luminance Map (Map Effect) 215
Push Slide (Slide Effect) 215
Squeeze and Stretch (Stretch Effect) 217
Jaws Wipe (Wipe Effect) 218
Audio Transitions 219
Chapter 10 Tweaking the Audio 223
Reading the Audio Meter 225
Setting Audio Levels 227
In the Timeline 227
In the Viewer 229
Fine Tuning Your Audio with Keyframes 233
Pen Tools 234
In the Timeline 235
In the Viewer 238
The Voice Over Tool 241
Anatomy of the Voice Over Tool 241
Inserting Audio Filters 246
Exploring the Audio Filters 248
Anatomy of the Viewer for Filters 249
3 Band Equalizer 250
Hum Remover 251
Reverberation 251
Vocal DeEsser and Vocal DePopper 252
Part IV Special Effects: Forging Your Aesthetic 253
Chapter 11 Media Manipulation 255
Altering Video Playback 256
Reversing Video 256
Changing Video Speed 258
Making Still Images in the Cut 259
Perspective Changes 260
Flops 260
Mirror 262
Changing Opacity Levels 264
Media Manipulation 267
Scaling 268
Recentering 272
Rotating 274
Cropping and Distorting Your Video 274
Cropping 275
Distorting 278
Video Distortions 279
Blurs 280
Invert 282
Pond Ripple 282
Adding Motion with Keyframes 284
Inserting and Coloring Slugs 290
Inserting Widescreen Mattes 293
Field Blending for "Film-Looking" Video 297
Chapter 12 Color and Image Correction 301
Color Correction 302
Brightness and Contrast 304
Color Corrector 307
Deepening Natural Video Colors 314
Gamma Correction 315
Proc Amp 316
Artificial Coloring Techniques 318
Desaturate 318
Sepia Tones 320
Tinting Techniques 320
Color Corrector (for Alterations) 322
Keying Filters 324
Luminosity 325
Color Keys 328
Broadcast-Safe Colors 330
Chapter 13 Creating Titles 333
Generating Titles 334
Anatomy of the Text Generator 335
Static Text 336
Scrolling Text 340
Text Filters and Effects 342
Flicker Filter 342
Drop Shadows 343
Title 3D and Text Crawl 345
Anatomy of the Boris FX Title Generator 345
Title 3D 351
Text Crawl 354
Creating Graphics with Adobe Photoshop 355
Part V Finishing the Production: Getting It Out 363
Chapter 14 Exporting Your Digital Film 365
Exporting a Stil


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Final Cut Express : Make the Cut, F<i>inal Cut Express: Make the Cut</i> is for anyone who has a DV Camera, Final Cut Express, a Macintosh, and an idea for a digital film. Your idea could be anything: a short documentary about your community, a home video, even a film that you need to mak, Final Cut Express : Make the Cut

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Final Cut Express : Make the Cut, F<i>inal Cut Express: Make the Cut</i> is for anyone who has a DV Camera, Final Cut Express, a Macintosh, and an idea for a digital film. Your idea could be anything: a short documentary about your community, a home video, even a film that you need to mak, Final Cut Express : Make the Cut

Final Cut Express : Make the Cut

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Final Cut Express : Make the Cut, F<i>inal Cut Express: Make the Cut</i> is for anyone who has a DV Camera, Final Cut Express, a Macintosh, and an idea for a digital film. Your idea could be anything: a short documentary about your community, a home video, even a film that you need to mak, Final Cut Express : Make the Cut

Final Cut Express : Make the Cut

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