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Georges Duhamel, à l'inverse de nombreux écrivains qui nourrissent à l'égard de la musique une sourde haine, avait la religion de la musique. Il l'écoutait sans cesse, la chantait, la pratiquait autour de lui. S'il avait été Schéhérazade, c'est sans doute ainsi qu'il aurait pu sauver sa vie, pendant mille et une nuits.
George Duhamel, unlike many writers who have a deaf hatred for music, has the religion of music. He is constantly listening to it, singing it, practicing it. If he had been Scheherazade, this is probably how he would have saved his life during a thousand and one nights.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Mitchell Goossen
reviewed La Musique Consolatrice on January 07, 2021
La Musique Consolatrice
This book is great, and I'm a music theorist! (Although admittedly I do go a bit against the grain...)
The one-star review, IMO, misses the point entirely. For one, Levinson's point is precisely about disanalogies between the temporal art of music and media such as architecture that are "there all at once." For another, the division between the composer's cognitively-driven designs and "the result of these processes" is not transparent in music. Finally, it's not even obvious that architecture can be appreciated without knowledge in the robust sense the reviewer assumes; maybe it can, but it's not self-evident. Even less so for music, hence Levinson's wonderful book.
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