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Book Categories |
Introduction: Where am I Coming From? | 1 | |
Pt. 1 | The Actor | |
Ch. 1 | Relaxation and the Art of the Face | 9 |
Ch. 2 | Concentration | 19 |
Ch. 3 | The Voice and the Breath | 31 |
Ch. 4 | Listening | 45 |
Ch. 5 | The Skin and the Overall | 59 |
Ch. 6 | Substitution: The Camera as Partner | 71 |
Ch. 7 | Creating the Space | 83 |
Pt. 2 | The Script and Character Development | |
Ch. 8 | The Audition | 99 |
Ch. 9 | Reading the Script | 113 |
Ch. 10 | Creating the Character | 129 |
Ch. 11 | Rehearsals | 137 |
Pt. 3 | The Shoot | |
Ch. 12 | Big-Budget Versus Low-Budget Films | 153 |
Ch. 13 | The First Day on the Set | 167 |
Ch. 14 | Hot Set: The Classic Camera Setups | 183 |
Ch. 15 | The Rushes and the Finished Film | 197 |
Bibliography | 209 | |
Index | 211 | |
About the Author | 215 |
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Add Acting for Film, Aspiring film and television actors will discover exercises for relaxing the face to achieve maximum expressiveness; maintaining proper eye focus in front of the camera and conveying the beats of a scene, even in the shortest takes. They'll also learn t, Acting for Film to the inventory that you are selling on WonderClubX
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Add Acting for Film, Aspiring film and television actors will discover exercises for relaxing the face to achieve maximum expressiveness; maintaining proper eye focus in front of the camera and conveying the beats of a scene, even in the shortest takes. They'll also learn t, Acting for Film to your collection on WonderClub |