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Acknowledgments | ||
Editor's Notes | ||
Introduction | ||
1 | Touring: An Overview | 1 |
2 | Booking: An Overview | 15 |
3 | Preparing a Budget for Touring | 23 |
4 | The Booking Brochure | 41 |
5 | Targeting the Presenter | 49 |
6 | The Nitty Gritty of Booking | 61 |
7 | Booking Meetings | 79 |
8 | Contracts | 87 |
9 | Promotion | 93 |
10 | Tour Management | 103 |
11 | Trends for the Future | 129 |
12 | What Presenters Need from Artists | 147 |
13 | Touring from a Technical Viewpoint | 165 |
14 | The Road Show Abroad | 185 |
15 | Touring: The Artist's Viewpoint | 211 |
App. A: Contracts | 225 | |
App. B: Tour Manager's Resource Kit | 237 | |
App. C: Technical Information Questionnaire | 249 | |
App. D: Technical Glossary | 261 | |
App. E: Resources | 265 | |
App. F: Selected Bibliography | 269 | |
Index | 271 | |
About the Author | 275 |
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Add Booking and Tour Management for the Performing Arts, This third edition of Booking and Tour Management for the Performing Arts has been updated to include information about the revolutionary new ways that performers, managers, and presenters are using the Internet to transform the business of booking, Booking and Tour Management for the Performing Arts to the inventory that you are selling on WonderClubX
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Add Booking and Tour Management for the Performing Arts, This third edition of Booking and Tour Management for the Performing Arts has been updated to include information about the revolutionary new ways that performers, managers, and presenters are using the Internet to transform the business of booking, Booking and Tour Management for the Performing Arts to your collection on WonderClub |