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| Introduction: Essayist Despite Himself | ||
| Acknowledgments | ||
| A Carter Chronology | ||
| The Composer's Viewpoint (1946) | 3 | |
| A Further Step (1958) | 5 | |
| The Challenge of the New (1960-62/94) | 11 | |
| Fallacy of the Mechanistic Approach (1946) | 15 | |
| "La Musique serielle aujourd'hui" (1965/94) | 17 | |
| ISCM Festival, Rome (1959) | 18 | |
| Rasputin's End and Lady Macbeth of Mtsensk (1960) | 28 | |
| Letter from Europe (1963) | 31 | |
| ISCM Festival, Amsterdam (1963/94) | 40 | |
| Once Again Swing; Also "American Music" (1939) | 45 | |
| American Music in the New York Scene (1940) | 48 | |
| The Agony of Modern Music in America, 1955 (1955/94) | 53 | |
| The Rhythmic Basis of American Music (1955) | 57 | |
| The European Roots of American Musical Culture (1961/94) | 62 | |
| Expressionism and American Music (1965/72) | 72 | |
| "The Composer Is a University Commodity" (1970) | 83 | |
| The Case of Mr. Ives (1939) | 87 | |
| Ives Today: His Vision and Challenge (1944) | 90 | |
| An American Destiny (1946) | 93 | |
| Charles Ives Remembered (1974) | 98 | |
| Documents of a Friendship with Ives (1975) | 107 | |
| Gabriel Faure (1945) | 119 | |
| The Three Late Sonatas of Debussy (1959/94) | 122 | |
| American Figure, with Landscape [Henry F. Gilbert] (1943) | 134 | |
| Stravinsky in 1940 (1940) | 138 | |
| Igor Stravinsky: Two Tributes (1971) | 141 | |
| On Edgard Varese (1975/79) | 146 | |
| Edward Steuermann (1966) | 151 | |
| Walter Piston (1946) | 158 | |
| Roger Sessions: Violin Concerto (1959) | 175 | |
| In Memoriam: Roger Sessions, 1896-1985 (1985/95) | 180 | |
| In Memoriam: Stefan Wolpe, 1902-1972 (1972) | 185 | |
| Two Essays on Goffredo Petrassi (1960, 1986) | 187 | |
| To Think of Milton Babbitt (1976) | 197 | |
| For Pierre Boulez on His Sixtieth (1985) | 199 | |
| To Be a Composer in America (1953/94) | 201 | |
| The Composer's Choices (c.1960) | 210 | |
| Shop Talk by an American Composer (1960) | 214 | |
| The Time Dimension in Music (1965) | 224 | |
| Two Sonatas, 1948 and 1952 (1969) | 228 | |
| String Quartets Nos. 1, 1951, and 2, 1959 (1970) | 231 | |
| The Orchestral Composer's Point of View (1970) | 235 | |
| On Saint-John Perse and the Concerto for Orchestra (1974/94) | 250 | |
| Brass Quintet (1974) | 256 | |
| Double Concerto, 1961, and Duo, 1974 (1975) | 258 | |
| Music and the Time Screen (1976) | 262 | |
| "Elle est la musique en personne": A Reminiscence of Nadia Boulanger (c.1985/95) | 281 | |
| Reminiscence of Italy (1988) | 292 | |
| More about Balanchine (1937) | 295 | |
| With the Dancers (1938) | 296 | |
| Remembering Balanchine (1991/95) | 299 | |
| Theatre and Films (1943) | 304 | |
| The Genial Sage [Paul Rosenfeld] (1948) | 306 | |
| Introduction to a Poetry Reading by W. H. Auden (1969) | 307 | |
| Music as a Liberal Art (1944) | 309 | |
| Time Lecture (1965/94) | 313 | |
| The Gesamtkunstwerk (1966/94) | 319 | |
| Soviet Music (1967/94) | 331 | |
| Music Criticism (1972) | 335 | |
| Appendix 1 | Notes on Sources | 343 |
| Appendix 2 | Published Writings by Carter Not Included in This Collection | 351 |
| Index | 355 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Mike Schlegel
reviewed Elliott Carter on December 10, 2020 Elliott Carter
Reference book for an article... Well if you like dense music theory, Adorno is you whip master.
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