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Sacred and Profane: Voice and Vision in Southern Self-Taught Art Book

Sacred and Profane: Voice and Vision in Southern Self-Taught Art
Sacred and Profane: Voice and Vision in Southern Self-Taught Art, <i>Sacred and Profane: Voice and Vision in Southern Self-Taught Art</i> presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar, Sacred and Profane: Voice and Vision in Southern Self-Taught Art has a rating of 4.5 stars
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Sacred and Profane: Voice and Vision in Southern Self-Taught Art, Sacred and Profane: Voice and Vision in Southern Self-Taught Art presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar, Sacred and Profane: Voice and Vision in Southern Self-Taught Art
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  • Sacred and Profane: Voice and Vision in Southern Self-Taught Art
  • Written by author Carol Crown
  • Published by University Press of Mississippi, March 2007
  • Sacred and Profane: Voice and Vision in Southern Self-Taught Art presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar
  • A sustained critical assessment of southern folk art and self-taught art and artists
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Authors

Acknowledgments     vii
Introduction   Carol Crown   Charles Russell     ix
Self-Taught Art, the Bible, and Southern Creativity   Charles Reagan Wilson     3
Sacred Spaces and Mythmaking: A Sociological Perspective on Southern Environmental Art   Frederic Allamel     21
More Than Meets the Eye: Visions of the Sacred in Southern Self-Taught Art   Carol Crown     40
The Music of Self-Taught Artist and Evangelist Anderson Johnson   Ann Oppenhimer     66
Lacrimae Rerum: Eddie Owens Martin's Pasaquan   Dorothy M. Joiner     80
George Andrews   Benny Andrews     98
Nellie Mae Rowe: Multiple Contexts, Multiple Meanings   Lee Kogan     111
A Curious Collaboration: Clementine Hunter's African House Murals   Jessica Dallow     128
Clementine Hunter: Chronicler of African American Catholicism   Cheryl Rivers     146
"It's about Ideas": The Art of Thornton Dial   Charles Russell     172
Reinventing Gee's Bend Quilts in the Name of Art   Sally Anne Duncan     191
Words and Music: Seeing Traylor in Context   Susan M. Crawley     214
Bill Traylor and the Construction of Outsider Subjectivity   Jenifer P. Borum     238
Select Bibliography     261
Contributors     275
Index     279


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Sacred and Profane: Voice and Vision in Southern Self-Taught Art, <i>Sacred and Profane: Voice and Vision in Southern Self-Taught Art</i> presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar, Sacred and Profane: Voice and Vision in Southern Self-Taught Art

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Sacred and Profane: Voice and Vision in Southern Self-Taught Art, <i>Sacred and Profane: Voice and Vision in Southern Self-Taught Art</i> presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar, Sacred and Profane: Voice and Vision in Southern Self-Taught Art

Sacred and Profane: Voice and Vision in Southern Self-Taught Art

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Sacred and Profane: Voice and Vision in Southern Self-Taught Art, <i>Sacred and Profane: Voice and Vision in Southern Self-Taught Art</i> presents historical and cultural analyses of southern self-taught art that focus on the cultural contexts of the art's creation, as well as on the lives and works of representative ar, Sacred and Profane: Voice and Vision in Southern Self-Taught Art

Sacred and Profane: Voice and Vision in Southern Self-Taught Art

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