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List of Illustrations | ||
Acknowledgment | ||
Foreword | ||
Preface | ||
Introduction | ||
I | On Conducting, Conductors, and Musical Life | |
A Conversation with Max Rudolf - an interview by Barrymore Laurence Scherer | 3 | |
A Question of Musical Allegiance | 11 | |
On Contemporary American Music | 21 | |
The Conductor's Dilemma of The Hazards of Being Judged | 26 | |
A Medley of Thoughts on Conductors and Composers | 44 | |
Musical Musings from Maine | 61 | |
Selected Correspondence | ||
to George Szell, 1/24/37 | 71 | |
to Helen Thompson, 6/14/60 | 78 | |
to George Szell, 7/10/62 | 83 | |
to George Szell, 7/16/65 | 85 | |
to Irving Kolodin, 10/21/67 | 87 | |
to Music Editor, New York Times, 7/8/70 | 89 | |
to Edgar J. Mack, 6/19/72 | 91 | |
to Harold Schonberg, 5/3/78 | 94 | |
to Bathia Churgin, 9/28/92 | 95 | |
to Stephen M. Kidd, 3/18/94 | 97 | |
II | On Performance Practice, Research, and Musicianship | |
Good Taste in Music | 101 | |
Authenticity in Musical Performance | 115 | |
Inner Repeats in the Da Capo of Classical Minuets and Scherzos | 123 | |
Brahms's German Requiem: A Report on a Composer-Annotated Score | 135 | |
Translation, Yes. Betrayal, No | 151 | |
Selected Correspondence | ||
to Harold Schonberg, 2/14/71 | 157 | |
to Maurice J. E. Brown, 7/4/73 | 158 | |
to The New York Times, 6/8/74 | 160 | |
to Emil Kahn, 7/8/75 | 161 | |
to Rudolf Serkin, 7/21/76 | 162 | |
to Rudolf Serkin, 1/1/78 | 165 | |
to Sergiu Luca, 12/19/78 | 166 | |
to Rudolf Serkin, 12/31/78 | 167 | |
to Shin Augustinus Kojima, 2/15/80 | 169 | |
to Shin Augustinus Kojima, 3/13/80 | 171 | |
to Shin Augustinus Kojima, 4/12/80 | 173 | |
to Sylvia Olden Lee, 3/22/82 | 174 | |
to Louis Lane, 8/10/82 | 176 | |
to Bernard Jacobsen, 2/16/86 | 179 | |
to Gary Graffman, 7/24/86 | 180 | |
to Rudolf Serkin, 9/6/87 | 181 | |
to David Zinman, 10/14/87 | 182 | |
to Jahja Ling, 12/30/87 | 184 | |
to Isaac Stern, 5/23/88 | 185 | |
to William Meredith, 9/12/88 | 189 | |
to William Meredith, 10/9/88 | 190 | |
to William Meredith, 11/21/88 | 191 | |
to Bathia Churgin, 12/21/88 | 192 | |
to Peter Hauschild, 12/28/88 | 194 | |
to William Meredith, 1/19/89 | 196 | |
to Hugh Macdonald, 7/8/89 | 197 | |
to Mark Russell Smith, 12/3/89 | 198 | |
to Judy Ann Voois, 9/11/90 | 199 | |
to Bathia Churgin, 7/5/91 | 200 | |
to Jacques Voois, 10/10/91 | 202 | |
III | On Mozart and Beethoven | |
Pamina's Aria, a Question of Tempo | 207 | |
On the Performance of Mozart's Minuets | 211 | |
Contemporary Mozart Performance: A Diverse Landscape | 217 | |
A Broadcast of Le Nozze di Figaro | 221 | |
Monday, October 29, 1787: The Don Giovanni Premiere | 233 | |
The Metronome Indications in Beethoven's Symphonies | 242 | |
A Question of Tempo in Beethoven's Ninth Symphony | 261 | |
The Arietta in Beethoven's Piano Sonata, Op. 111 | 265 | |
Beethoven's "An die Freude" and Two Mysterious Footnotes | 267 | |
Fidelio, a Unique Experience in Opera | 274 | |
Beethoven's "Characteristic Overture" Revisited | 279 | |
On or Before the Beat, a Matter of Fashion? | 293 | |
Improvised thoughts on the 33rd Variation in Beethoven's Op. 120 | 300 | |
Selected Correspondence | ||
to Brigid Brophy, 9/15/64 | 305 | |
to Brigid Brophy, 10/30/70 | 306 | |
to Brigid Brophy, 4/28/72 | 309 | |
to Brigid Brophy, 5/27/72 | 310 | |
to Maynard Solomon, 1/14/73 | 312 | |
to Leo Mueller, 2/11/74 | 313 | |
to Claude Frank, 7/22/76 | 322 | |
to Claude Frank, 9/8/76 | 323 | |
to William Newman, 3/27/77 | 325 | |
to William Newman, 4/9/77 | 328 | |
to William Newman, 11/13/78 | 329 | |
to Erich Leinsdorf, 3/17/80 | 332 | |
to Sandra Rosenblum, 5/23/80 | 335 | |
to Sandra Rosenblum, 5/25/80 | 337 | |
to Sandra Rosenblum, 6/10/80 | 339 | |
to Sandra Rosenblum, 7/11/80 | 344 | |
to Lydia Artymiw, 8/21/80 | 349 | |
to Dietrich Berke, 5/31/82 | 351 | |
to Erich Leinsdorf, 12/26/82 | 352 | |
to Maynard Solomon, 1/23/83 | 353 | |
to William Newman, 8/3/85 | 354 | |
to Louis Lane, 8/14/85 | 360 | |
to the editor of 19th Century Music, 12/8/85 | 361 | |
to Malcolm Frager, 1/25/86 | 363 | |
to Clemens von Gleich, 10/27/87 | 366 | |
to Martin Staehelin, 11/10/87 | 369 | |
to Malcolm Frager, 5/16/88 | 374 | |
to Bathia Churgin, 8/26/88 | 375 | |
to Frederick Neumann, 11/14/88 | 377 | |
to Bathia Churgin, 2/4/89 | 379 | |
to Malcolm Frager, 2/5/89 | 381 | |
to William Newman, 3/1/89 | 383 | |
to William Newman 3/2/89 | 387 | |
to Jean-Pierre Marty, 3/7/89 | 388 | |
to Bathia Churgin, 4/2/89 | 392 | |
to Bathia Churgin, 4/16/89 | 392 | |
to Bathia Churgin, 5/2/89 | 396 | |
to Bathia Churgin, 6/16/89 | 399 | |
to Gary Graffman, 7/9/89 | 401 | |
to Michael Stern, 7/17/89 | 403 | |
to Bathia Churgin, 2/18/90 | 404 | |
to Frederick Neumann, 2/23/90 | 405 | |
to William Meredith, 3/7/90 | 408 | |
to Bathia Churgin, 1/2/91 | 409 | |
to Frederick Neumann, 1/27/91 | 411 | |
to Malcolm Frager, 2/5/91 | 416 | |
to Jean-Pierre Marty, 5/25/91 | 417 | |
to Jean-Pierre Marty, 6/28/91 | 419 | |
to Jean Pierre Marty, 11/23/91 | 420 | |
to Jean-Pierre Marty, 1/2/92 | 421 | |
to Jean-Pierre Marty, 3/4/92 | 423 | |
to Maynard Solomon, 4/24/92 | 424 | |
to Maynard Solomon, 7/17/92 | 426 | |
to Maynard Solomon, 9/15/92 | 428 | |
to Michael Stern, 5/22/93 | 429 | |
IV | Musical Studies | |
Storm and Stress in Music | 433 | |
A Stroke of Genius | 469 | |
Verdi vs. Verdi | 473 | |
The Function of the [actual symbol not reproducible] Sign in Classic German Music as seen by a Concerned Performer | 499 | |
A Musical Comedy of Errors | 503 | |
Selected Correspondence | ||
to Edward Downes, 12/9/62 | 507 | |
to Rudolf Serkin, 12/24/71 | 511 | |
to Maynard Solomon, 7/27/92 | 512 | |
Index | 515 |
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