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Introduction | 1 | |
I | Late 1950s-early 1960s: Before Artforum | 17 |
New York | ||
San Francisco and Los Angeles | ||
The experimental education of artists | ||
The art press | ||
The Artforum group | ||
II | 1962-1967: Founding of Artforum and early years in California | 85 |
Isms | 87 | |
Starting from zero | ||
A local art magazine | ||
How to make a splash | ||
Contacts | ||
Los Angeles | ||
Growing up | ||
A turning point | ||
The East Coast writers | ||
1966 Special issue: "Surrealism" | ||
1967 Special issue: "American sculpture" | ||
Leaving Los Angeles | ||
Schisms | 159 | |
Clement Greenberg; models and methodology | ||
The quest | ||
Sophisticated members of the art world: The company they kept | ||
1966: Symposium at Brandeis | ||
Surrealism and other traditions | ||
"Art and Objecthood" | ||
The artists speak | ||
III | 1967-1971: Move to New York through Philip Leider's departure | 207 |
Isms | 209 | |
Transition | ||
New York | ||
The right people | ||
Film | ||
The artists are heard from | ||
"Problems of Criticism" | ||
1969: Three months | ||
Robert Smithson | ||
Minimal art, conceptual art | ||
A period of questioning | ||
Activism | ||
Philip Leider's summer vacation, fall 1970 | ||
The editor leaves | ||
Schisms | 275 | |
Formalist limitations | ||
"Manet's Sources" | ||
Alternative readings | ||
"Doubt. That is art" | ||
Politics | ||
Some (mis)judgments | ||
Disillusionment and departure | ||
IV | 1971-1974: John Coplans's stewardship through the editors' revolt | 323 |
Isms | 325 | |
Rocky Transition | ||
The new regime | ||
Cabals of hatred | ||
Tenth anniversary | ||
Documenta 5 | ||
The universe expands | ||
Advice from "Old Man Rockefeller" | ||
Culture wars I | Context, feminism | |
Culture wars II | Modernist imperialism | |
Culture wars III | Art world institutions | |
Grievances and recriminations | ||
Letter from the editors | ||
Less like "Artforum." | ||
Schisms | 398 | |
Art and culture (apologies to Clement Greenberg) | ||
1974: The ivory tower is shattered | ||
A different magazine | ||
V | Legacy: Impact and influence | 427 |
A "moment" in history | ||
What was at stake | ||
Other motivations | ||
Whose history? | ||
Power: Perception and reality | ||
The Artforum academy: Art | ||
The Artforum academy: Criticism | ||
Denouement | ||
Legacy | ||
Contributors | 469 | |
Notes | 485 | |
Acknowledgments | 531 | |
Index | 533 |
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Add Challenging Art: Artforum 1962-1974, Artforum radically transformed the rules of the game. . . . This lively book, in which gossip becomes oral history, records how and why. . . . Newman should be commended.—Artforum Newman's book [makes] the activities of a handful of ma, Challenging Art: Artforum 1962-1974 to the inventory that you are selling on WonderClubX
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Add Challenging Art: Artforum 1962-1974, Artforum radically transformed the rules of the game. . . . This lively book, in which gossip becomes oral history, records how and why. . . . Newman should be commended.—Artforum Newman's book [makes] the activities of a handful of ma, Challenging Art: Artforum 1962-1974 to your collection on WonderClub |