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Antonin Artaud : a biographical outline | ||
Artaud's artistic activities | ||
Artaud and theatre | ||
Artaud and madness | ||
Artaud, east and west | ||
Pt. 1 | Early writings (Paris 1921-5) | |
Charles Dullin's L'Atelier | 3 | |
To Max Jacob | 4 | |
To Mademoiselle Yvonne Gilles | 5 | |
L'Atelier theatre | 6 | |
'Six characters in search of an author' | 8 | |
Maurice Maeterlinck | 9 | |
The evolution of set design | 13 | |
To the director of the Comedie-Francaise | 16 | |
Letter to the chancellors of the European universities | 18 | |
'The spurt of blood' | 19 | |
The umbilical limbo | 22 | |
All writing is filth | 23 | |
Pt. 2 | The Alfred Jarry Theatre (1926-30) | |
The Alfred Jarry Theatre (1926-7) | 29 | |
Manifesto for an abortive theatre | 34 | |
To Jean Paulhan | 36 | |
The Alfred Jarry Theatre (1928) | 38 | |
To Genica Athanasiou | 40 | |
'A dream play' by Strindberg | 41 | |
The Alfred Jarry Theatre (1929) | 43 | |
The Alfred Jarry Theatre and public hostility (1930) | 44 | |
To Roger Vitrac | 47 | |
Three letters to Louis Jouvet | 49 | |
Pt. 3 | Cinema (1926-32) | |
Cinema and reality | 57 | |
'The shell and the Clergyman' | 59 | |
To Madame Yvonne Allendy | 60 | |
To Rene Daumal | 62 | |
To Jean Paulhan | 64 | |
Pt. 4 | The NRF theatre project (1931-3) | |
To Jean-Richard Bloch | 69 | |
To Marcel Dalio | 70 | |
The theatre I'm about to set up | 72 | |
To Andre Gide | 76 | |
Three letters to Jean Paulhan | 79 | |
Letter to 'Comoedia' | 83 | |
To a friend | 86 | |
To Natalie Clifford Barney | 88 | |
To Orane Demazis | 89 | |
'The conquest of Mexico' | 91 | |
Pt. 5 | 'The theatre and its double' (1931-7) | |
'The theatre and its double' | 97 | |
On the Balinese Theatre | 98 | |
'Mise en scene' and metaphysics | 102 | |
Alchemist Theatre | 108 | |
The theatre of cruelty - first manifesto | 112 | |
Letters on cruelty | 118 | |
Theatre and cruelty | 120 | |
Letters on language | 123 | |
Theatre and the plague | 127 | |
No more masterpieces | 132 | |
Theatre and poetry | 133 | |
Oriental and western theatre | 135 | |
Theatre is first ritualistic and magical ... | 138 | |
An affective athleticism | 139 | |
Theatre and culture | 142 | |
Theatre and the gods | 145 | |
A Medea without fire | 153 | |
Pt. 6 | 'The Cenci' (1935) | |
The Cenci | 159 | |
To Andre Gide | 160 | |
'The Cenci' | 162 | |
The tragedy 'The Cenci' at the Folies-Wagram | 164 | |
After 'The Cenci' | 166 | |
To Jean-Louis Barrault | 167 | |
'Around a mother' | 169 | |
Pt. 7 | Religion and sexuality (Rodez 1943-6) | |
Artaud, religion and sexuality | 175 | |
To Anne Manson | 177 | |
To Andre Breton | 178 | |
To Frederic Delanglade | 180 | |
To Doctor J. Latremoliere | 182 | |
To Sonia Mosse | 183 | |
To Roger Blin | 186 | |
Pt. 8 | Return to Paris (1946-8) | |
Theatre and anatomy | 191 | |
To Peter Watson | 194 | |
'Tete-a-tete with Antonin Artaud' | 201 | |
Letters to Andre Breton | 204 | |
Deranging the actor | 212 | |
Theatre and science | 216 | |
To put an end to the judgement of God | 220 | |
The question arises of ... | 222 | |
To Wladimir Porche, director of broadcasting | 228 | |
To Rene Guilly | 230 | |
To Paule Thevenin | 232 | |
Who am I? / Qui suis-je? | 234 |
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Add Artaud on Theatre, With Brecht and Meyerhold, Antonin Artaud was one of the great visionaries of twentieth-century theatre, best known perhaps for what he called the Theatre of Cruelty. This revised and updated edition of Artaud on Theatre contains all of his key writings, Artaud on Theatre to the inventory that you are selling on WonderClubX
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Add Artaud on Theatre, With Brecht and Meyerhold, Antonin Artaud was one of the great visionaries of twentieth-century theatre, best known perhaps for what he called the Theatre of Cruelty. This revised and updated edition of Artaud on Theatre contains all of his key writings, Artaud on Theatre to your collection on WonderClub |