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Prelude: Banging at Swords | 3 | |
Introduction: The Absence of Presence | 11 | |
Pt. 1 | Pre-Performance - Instant Shakespeare! | |
1 | Know What the Words Really Mean - Dialogue | 19 |
2 | The Histrionic Sensibility | 39 |
3 | Whose Frog Is It Anyway? | 44 |
4 | Exercise Monologues | 47 |
5 | Know Where the Play Is Going - Structure | 54 |
6 | Know the Rhythm and Sense of the Line - Character | 63 |
7 | Know What the Play Is About - The Central Event | 78 |
Interlude: More Banging at Swords: Encounters at Shakespeare's Globe, 1981-1997 | 95 | |
Pt. 2 | Aspects of Performance | |
8 | Transitions from Reading to Performance | 107 |
9 | Scenes for Exercises | 113 |
10 | Aspects of Performance: Breath and Impulse | 120 |
11 | Aspects of Performance: A Practical Study of the Breath | 128 |
12 | Isabella's Voice | 142 |
13 | The Ephemeral Nature of the Theatrical Event | 154 |
14 | A Philosophy of Training and Performance | 161 |
15 | Presence and the Ontological Sensibility | 172 |
Epilogue: Still Banging at Swords - Optional Authenticity and Shakespeare's Globe, 1997-2001 | 187 | |
Acknowledgments | 197 | |
A Note on Sources | 199 | |
Index | 203 |
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