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Acknowledgements | ||
Introduction | 7 | |
1 | Kaiso! | 17 |
Roots of Calypso | 20 | |
The Social Dimension | 24 | |
Soca | 29 | |
The Carnival Tents | 30 | |
The Road to the Crown | 33 | |
The Savannah | 35 | |
Competitive Edge | 41 | |
The Road March | 43 | |
'But Dey Forget Calypso' | 45 | |
The International Stage | 48 | |
Chutney Soca | 52 | |
2 | Steel Pan | 57 |
From Bamboo to Oil Drum | 58 | |
'Behind the Bridge' | 59 | |
The Modern Steelband | 62 | |
Panorama | 65 | |
The Lime | 67 | |
Pan Competition | 68 | |
Bands and Arrangers | 71 | |
Pan and the Community | 74 | |
3 | Playing Mas | 79 |
Costume Design | 80 | |
Kings and Queens | 84 | |
J'Ouvert Morning | 89 | |
Carnival Monday | 92 | |
Carnival Tuesday | 94 | |
Sexual Energy | 106 | |
The Decline of Ole Mas | 111 | |
The Future of Mas | 117 | |
4 | Don't Stop the Carnival! | 121 |
Organisation | 123 | |
Tourism | 124 | |
Sex and Violence | 126 | |
Carnival Controversy | 130 | |
5 | Woman is Boss | 133 |
Women and Calypso | 136 | |
Calypso Queens | 139 | |
Women and Pan | 144 | |
6 | Past and Future | 147 |
Stickfighting | 148 | |
Influences and Evolution | 158 | |
The Indian Influence | 160 | |
Exporting Carnival | 161 | |
The Balance of Payments | 166 | |
Into the Future | 167 | |
Notes | 172 | |
Bibliography | 174 | |
Discography | 177 | |
Appendix | 178 |
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