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Acknowledgments | ||
Introduction | 1 | |
1 | Appraising Berenson | 11 |
Berenson and Early Modernism | 13 | |
Berenson as a Theorist | 15 | |
Berenson as a Writer | 18 | |
Characterizing Berenson's Achievement | 21 | |
2 | Defining Berenson's Modernity | 29 |
Introduction | 31 | |
The Venetian Painters of the Renaissance | 34 | |
Lorenzo Lotto | 39 | |
Egisto Fabbri and Hermann Obrist | 46 | |
The Florentine Painters of the Renaissance | 56 | |
The Central Italian Painters of the Renaissance | 70 | |
3 | Berenson at the Crossroads | 85 |
Connoisseurship Versus Criticism | 87 | |
A Sienese Painter of the Franciscan Legend | 93 | |
The North Italian Painters of the Renaissance | 97 | |
"The Decline of Art" | 103 | |
Critical Writing During the Duveen Years | 107 | |
4 | Berenson's Last Years | 113 |
The Sage of Settignano | 115 | |
Aesthetics and History in the Visual Arts | 124 | |
"Decline and Recovery in the Figure Arts" | 135 | |
The Performing Monkey | 142 | |
The Geometricization of the Individual: Humanism at Risk | 152 | |
Seeing and Knowing | 161 | |
Conclusion | 169 | |
Notes | 187 | |
Bibliography | 235 | |
Index | 259 |
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