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| Preface: For the Educator: The View Inside | 1 | |
| Introduction: For Students, Teachers & Casual Readers: Using This Book | 7 | |
| Part 1 | Basics: Getting Started | 11 |
| Chapter 1 | A Beginning: Thoughts about the Theatre and Life | 13 |
| Chapter 2 | The Nature of the Theatre | 17 |
| Chapter 3 | The Role of the Director: Where to Begin? | 22 |
| Chapter 4 | Finding the Dramatic Action | 27 |
| Part One Assignments Two One-Page Plays | 33 | |
| Part One Summary Basics: Getting Started | 39 | |
| Part 2 | Rehearsal: A Time for Experiencing | 41 |
| Chapter 5 | Rehearsal: Entering the World of the Play | 43 |
| Chapter 6 | Mindset: The Key to Entry | 48 |
| Chapter 7 | Those Powerful Words | 54 |
| Chapter 8 | These Things We Do | 64 |
| Chapter 9 | This Incredible Place | 71 |
| Chapter 10 | Rehearsal Rhythm | 75 |
| Part Two Assignments Pinter Sketches | 79 | |
| Part Two Summary Rehearsal: A Time for Experiencing | 85 | |
| Part 3 | Analyzing the Script: Blueprint for Rehearsal | 89 |
| Chapter 11 | Analysis, Discovery and Images | 91 |
| Chapter 12 | The Rehearsal Unit | 98 |
| Chapter 13 | Life's Rhythms and the Scoring of the Play | 108 |
| Chapter 14 | The Concept Statement | 114 |
| Part Three Assignments Scenes from Waiting for Godot | 119 | |
| Part Three Summary Analyzing the Script: Blueprint for Rehearsal | 125 | |
| Part 4 | Style and the Sharing of Viewpoints | 129 |
| Chapter 15 | An Introduction to Style | 131 |
| Chapter 16 | Style and the Creative Process | 135 |
| Chapter 17 | The Theatre and Style | 140 |
| Chapter 18 | Ritual and the "Holy" Theatre | 148 |
| Chapter 19 | The Deceptive Challenges of Comedy | 155 |
| Chapter 20 | Comedy: Nuts and Bolts | 160 |
| Chapter 21 | Choosing Models over Labels | 168 |
| Part Four Assignments Three Preliminary Exercises and Three Directing Scenes | 176 | |
| Part Four Summary Style and the Sharing of Viewpoints | 186 | |
| Part 5 | Working with Your Collaborators | 191 |
| Chapter 22 | Communicating with Actors | 193 |
| Chapter 23 | Memorization: The First of Five Golden Rings | 203 |
| Chapter 24 | Emotion, Gestation, Boarding and Function: The Other Golden Rings | 210 |
| Chapter 25 | Working with Playwrights, Designers and Others | 218 |
| Part Five Assignments Focus on Relationships and Emotion in Directing Scenes | 228 | |
| Part Five Summary Working with Your Collaborators | 239 | |
| Part 6 | The Director and the Theatrical Space | 245 |
| Chapter 26 | Theatrical Space: A Meeting Place for Actor and Audience | 247 |
| Chapter 27 | The Director's Approach to Space | 256 |
| Chapter 28 | Design in Space: Sharing Responsibilities | 262 |
| Chapter 29 | Guidelines for Blocking | 269 |
| Chapter 30 | Blocking: Lenses for Viewing | 277 |
| Chapter 31 | Blocking: The Bigger Picture | 289 |
| Part Six Assignments Directing a Chosen Scene in a Found Theatrical Space | 296 | |
| Part Six Summary The Director and the Theatrical Space | 301 | |
| Part 7 | The Whole Picture | 305 |
| Chapter 32 | From Scenes to Plays | 307 |
| Chapter 33 | Rehearsal Progression | 317 |
| Chapter 34 | The Critic and the Director | 326 |
| Chapter 35 | Miracles, Changes and Basics | 332 |
| Part Seven Assignments The Complete Play | 338 | |
| Part Seven Summary The Whole Picture | 342 | |
| Acknowledgments | 345 | |
| About the Author | 347 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
James Smith
reviewed The Director's Eye: A Comprehensive Textbook for Directors and Actors on September 07, 2014 The Director's Eye: A Comprehensive Textbook for Directors and Actors
I think its a book every actor and director should have. its a bridge between yesterday and today and will be very relevant in years to come. this book gives a clear cut distinction between what is obtainable, what should be and gives you the confidence to want to explore... its equally a good reference book and is written in simple language anyone can easily relate with.
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Add The Director's Eye: A Comprehensive Textbook for Directors and Actors, The Director's Eye should be required reading for anyone striving to be a professional in the theatre arts. Writing in the first person from one theatre aficionado to another, Ahart generously shares insights and experiences from five decades of th, The Director's Eye: A Comprehensive Textbook for Directors and Actors to the inventory that you are selling on WonderClubX
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Add The Director's Eye: A Comprehensive Textbook for Directors and Actors, The Director's Eye should be required reading for anyone striving to be a professional in the theatre arts. Writing in the first person from one theatre aficionado to another, Ahart generously shares insights and experiences from five decades of th, The Director's Eye: A Comprehensive Textbook for Directors and Actors to your collection on WonderClub |
