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Series Preface | ||
Permissions | ||
Preface | 1 | |
The Pure and the Impure: Literature after Silence | 3 | |
Pt. I | Postwar Positions | |
From Resistance to Commitment (A Time for Timeliness) | 29 | |
"Presentation" | 29 | |
from The Mandarins | 43 | |
Resistance to Commitment (A Space for Timelessness) | 49 | |
"Three Cheers for Uncommitted Literature" | 49 | |
Review: Les Cahiers de la Pleiade | 52 | |
from Literature in Your Face | 55 | |
"The Ultimate Bibliophilia" | 60 | |
Pt. II | Cold War Aesthetics | |
Politics and Mass Culture | 67 | |
"Radio" | 67 | |
"The Conquerors" | 69 | |
"On a Portrait of Stalin" | 82 | |
"Pilot Celine" | 88 | |
"On Popular Theater" | 94 | |
"The Dispossessed" | 97 | |
Testimony and Narration | 101 | |
"The Damsel with the Mirrors" | 101 | |
"The Novel, Work of Bad Faith" | 112 | |
"The Mimetic Desire of Paolo and Francesca" | 124 | |
"The Autobiographer as Torero" | 132 | |
"Death Every Afternoon" | 141 | |
Poetry After Rhyme | 147 | |
"The Dishonour of the Poets" | 147 | |
"Ascendant Sign" | 154 | |
"Conversation Under the Chestnut Tree" | 158 | |
"& - as in Po&try" | 164 | |
"A Brief Note" | 165 | |
A.D. Centrum? | 168 | |
Pt. III | The Central Case of Mallarme | |
"Requiem for a Poet: Mallarme" | 189 | |
"Mallarme's Experience Proper" and "The Central Point" | 196 | |
from Introduction to the Psychoanalysis of Mallarme | 200 | |
from Mallarme's Imaginative Universe | 207 | |
"Mallarme's Happiness?" | 219 | |
"Richard's Mallarme" | 226 | |
"Mallarme" | 235 | |
"Nietzsche and Mallarme" | 245 | |
"The Hymn of Spiritual Hearts" | 248 | |
Pt. IV | Novelties | |
New Novel | 259 | |
"A Future for the Novel" | 259 | |
"Literal Literature" | 265 | |
from The Age of Suspicion | 271 | |
"Reading Badly to Avoid Feeling Pain" | 275 | |
New Criticism | 283 | |
"Structuralism and Literary Criticism" | 283 | |
"Poetics" | 300 | |
"Prolegomena to the Concept of 'Text'" | 302 | |
"General Theses" | 305 | |
Pt. V | Psychoanalysis and Literature | |
Contours | 313 | |
Methodological Postface to Psychocriticism of the Comic Genre | 313 | |
"Psychoanalysis and Literary Understanding" | 316 | |
"The Real in the Text" | 320 | |
"Interpreting [with] Freud" | 324 | |
Shifting Fate of a Keystone Concept: "Castration" | 329 | |
"The Latest New World" | 329 | |
"Lecture of 20 May 1975" | 335 | |
from Anti-Oedipus | 343 | |
from S/Z | 346 | |
from The Hermaphrodite | 347 | |
from Speculum of the Other Woman | 350 | |
Pt. VI | Literature/Theory/Science | |
from The Poetics of Space | 355 | |
"From Math to Myth" | 359 | |
"Trapping One's Own Culture" | 370 | |
Pt. VII | Changing Times - and Spaces | |
"Literature Twenty Years Later" | 373 | |
"Proposal for Revue Internationale" | 379 | |
"All the King's Men" | 391 | |
"20 May 1968: Description of the Birth of Students - Writers Action Committee" | 397 | |
"Writing the Event" | 404 | |
"The Laugh of the Medusa" | 410 | |
"The Mark of Gender" | 422 | |
"The Teaching of Leo Frobenius" | 431 | |
"Poetic Intention" | 437 | |
"Prologue to the Review Souffles" | 445 | |
"The White of Algeria" | 450 | |
Pt. VIII | The Sound Track | |
"On Conversation" | 461 | |
"The Text of a Textless Theater" | 467 | |
"The Organ and the Vacuum Cleaner" | 474 | |
Pt. IX | Commitment Redux | |
"On the Need to Keep the Word Commitment" | 487 | |
"Commitment and Autonomy" | 491 |
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