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Acknowledgements | ||
Foreword | ||
Preface | ||
Introduction | 1 | |
1 | Jung: rebel son or prophet? | 11 |
2 | Conflict: combat or dance of the soul? | 24 |
3 | The role of self-awareness in a changing culture | 36 |
4 | Moral values and analytic insights | 50 |
5 | Penis as bridge | 69 |
6 | Gods and deintegrates | 85 |
7 | Archetypes on the couch | 104 |
8 | The location of archetypal experience | 128 |
9 | Big self, little self, and individuation | 142 |
10 | The drive towards death: a vector of the self | 161 |
11 | Symbols: content and process | 189 |
12 | Projective identification | 213 |
13 | Transference as fulcrum of analysis | 235 |
14 | Countertransference: the twinning of Eros and Agape | 245 |
15 | Narcissism and the self: who am I that I love? | 257 |
16 | Masochism: the shadow of veneration and worship | 274 |
17 | Paedophilia: normal and abnormal | 289 |
18 | Curing and healing | 299 |
19 | Birth and creativity | 313 |
20 | Creativity and therapy | 324 |
21 | Creativity and archetype | 337 |
22 | Theatre: out there and in here | 352 |
23 | Look! He has come through! D. H. Lawrence's conflicts as pathfinders towards individuation | 361 |
24 | Jung's concept of synchronicity | 382 |
25 | Creativity in the second half of life | 400 |
A Last View - Over the Bridge | 406 | |
References | 409 | |
Index | 420 |
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