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Foreword | ||
Introduction | ||
Acknowledgments | ||
Initiations | 1 | |
Prison Letter | 4 | |
Siempre | 5 | |
Dog Star Desperado | 7 | |
How I Became a Convict | 14 | |
Arrival | 22 | |
Time and Its Terms | 25 | |
Reductions | 27 | |
Where or When | 28 | |
An Overture | 28 | |
Vivaldi on the Far Side of the Bars | 29 | |
Killing Time | 30 | |
After Almost Twenty Years | 33 | |
There Isn't Enough Bread | 34 | |
The Manipulation Game: Doing Life in Pennsylvania | 35 | |
Giving Me a Second Chance | 38 | |
Myths of Darkness: The Toledo Madman and the Ultimate Freedom | 42 | |
Routines and Ruptures | 47 | |
Spring | 49 | |
Autumn Yard | 49 | |
Letters Come to Prison | 50 | |
Trina Marie | 51 | |
After Lights Out | 52 | |
poem for the conguero in D yard, Raymond Ringo Fernandez | 53 | |
In the Big Yard | 54 | |
Old Man Motown | 56 | |
The Tower Pig | 58 | |
The Night the Owl Interrupted | 68 | |
Work | 71 | |
Chronicling Sing Sing Prison | 73 | |
Cut Partner | 76 | |
Gun Guard | 78 | |
Skyline Turkey | 80 | |
Suicide! | 86 | |
Reading and Writing | 97 | |
Coming into Language | 100 | |
Pell Grants for Prisoners | 107 | |
Tetrina | 113 | |
Sestina: Reflections on Writing | 114 | |
Behind the Mirror's Face | 119 | |
Black Flag to the Rescue | 126 | |
Players, Games | 129 | |
I See Your Work | 131 | |
solidarity with cataracts | 140 | |
Clandestine Kisses | 142 | |
Ryan's Ruse | 143 | |
Feathers on the Solar Wind | 153 | |
Death of a Duke | 164 | |
Race, Chance, Change | 175 | |
First Day on the Job | 178 | |
Eleven Days Under Siege | 181 | |
Pearl Got Stabbed! | 191 | |
Sam | 196 | |
Lee's Time | 206 | |
Family | 217 | |
Ancestor | 219 | |
Uncle Adam | 220 | |
The Red Dress | 221 | |
Ignorance Is No Excuse for the Law | 222 | |
Our Skirt | 225 | |
The Ball Park | 226 | |
Norton #59900 | 228 | |
A Stranger | 236 | |
After My Arrest | 237 | |
To Vladimir Mayakovsky | 238 | |
A Trilogy of Journeys | 241 | |
The World | 245 | |
Prisons of Our World | 247 | |
Pilots in the War on Drugs | 248 | |
No Brownstones, Just Alleyways and Corner Pockets Full | 255 | |
Americans | 257 | |
For Sam Manzie | 259 | |
Diner at Midnight | 260 | |
The Film | 261 | |
The 5-Spot Cafe | 263 | |
Melody | 265 | |
Mel | 275 | |
Getting Out | 285 | |
Dream of Escape | 287 | |
After All Those Years | 288 | |
Stepping Away from My Father | 290 | |
To Those Still Waiting | 291 | |
The Break | 292 | |
Death Row | 301 | |
For Mumia: I Wonder | 303 | |
Easy to Kill | 304 | |
Recipe for Prison Pruno | 304 | |
Conversations with the Dead | 306 | |
Walker's Requiem | 308 | |
"Write a poem that makes no sense" | 320 | |
Notes | 322 | |
Text Credits | 325 | |
About the Authors | 327 |
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Add Doing Time: 25 Years of Prison Writing from the Pen Program, Doing Time, For the prison writers whose work is included in this anthology, it means more than serving a sentence; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter ce, Doing Time: 25 Years of Prison Writing from the Pen Program to the inventory that you are selling on WonderClubX
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Add Doing Time: 25 Years of Prison Writing from the Pen Program, Doing Time, For the prison writers whose work is included in this anthology, it means more than serving a sentence; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter ce, Doing Time: 25 Years of Prison Writing from the Pen Program to your collection on WonderClub |