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Acknowledgments | ||
Introduction | 1 | |
The Politics of Performance: Theater Licensing and the Origins of Movie Censorship in New York | 16 | |
Passions and the Passion Play: Theater, Film, and Religion in America, 1880-1900 | 43 | |
Mothering the Movies: Women Reformers and Popular Culture | 73 | |
"To Prevent the Prevalent Type of Book": Censorship and Adaptation in Hollywood, 1924-1934 | 97 | |
Hollywood, Main Street, and the Church: Trying to Censor the Movies before the Production Code | 129 | |
Black Films, White Censors: Oscar Micheaux Confronts Censorship in New York, Virginia, and Chicago | 159 | |
Goodness Had Nothing to Do with It: Censoring Mae West | 187 | |
Foreign Parts: Hollywood's Global Distribution and the Representation of Ethnicity | 212 | |
Political Censorship During the Cold War: The Hollywood Ten | 237 | |
"A Significant Medium for the Communication of Ideas": The Miracle Decision and the Decline of Motion Picture Censorship, 1952-1968 | 258 | |
The Paradox of Protest: American Film, 1980-1992 | 277 | |
Contributors | 319 | |
Index | 321 |
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