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Book Categories |
| Contributors | 7 | |
| Acknowledgments | 8 | |
| Foreword: The Poet's Resonance | 10 | |
| "Exhibiting Sheets of Place": Seeing Emily Dickinson through Contemporary Art | 15 | |
| "Whose But Her Shy - Immortal Face": The Poet's Visage in the Popular Imagination | 35 | |
| Alcohol and Pearl: Dickinson's Imprint on American Poetry | 43 | |
| "To Emily Dickinson" | 52 | |
| "Altitudes" | 53 | |
| "Your Birthday in Wisconsin You Are 140" | 54 | |
| "I Am in Danger - Sir - '" | 55 | |
| "Amherst" | 56 | |
| "Emily's Bread" | 58 | |
| "Emily's Mom" | 59 | |
| "Reading Room" | 60 | |
| "Into Those Great Countries of the Blue Sky of Which We Don't Know Anything" | 62 | |
| "A Nostalgist's Map of America" | 63 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
James Britt
reviewed Language As Object : Emily Dickinson and Contemporary Art on January 20, 2013 Language As Object
A story beautifully told, Peter Grose's biography of Allen Dulles is one of the most accurate books ever written concerning the birth of modern espionage. Compelling, accurate, non-fiction books on intelligence are rare, and this particular piece of work is one of the few that pass historians' tests.
The book follows an urbane member of the American Establishment on his romantic quest to create the most sophisticated espionage organization the world has ever known. The grandson of a Secretary of State, and brother of a Secretary of Defense, he quite possibly made more of an impact on the current shape of our world than either, without a public profile. An incurable romantic, he brought Kipling's Kim with him on the night he went into the hospital to die.
Peter Grose was the ideal biographer for so elusive a subject.
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