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Foreword | ||
Introduction | 1 | |
1 | Directing, The Old Vic, Hamlet | 31 |
2 | Romeo and Juliet, Richard II, King Lear | 45 |
3 | Macbeth | 61 |
4 | The Merchant of Venice, Measure for Measure, Twelfth Night, Much Ado About Nothing, A Midsummer Night's Dream | 67 |
5 | Julius Caesar, Othello, Wolsey in Henry VIII | 79 |
6 | Scenery, Costumes | 91 |
7 | Company Ensembles, Shakespeare the Man, 'Effects' | 101 |
8 | The Tempest on Stage and Film | 109 |
Postscript | 119 | |
Appendix I: The Critics | 123 | |
Appendix II: Harley Granville-Barker on King Lear | 149 | |
Appendix III: Shakespeare plays Directed by John Gielgud | 162 | |
Appendix IV: The Casts | 164 | |
Index | 183 |
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Add Acting Shakespeare, (Applause Books). From the London Sunday Telegraph : Acting Shakespeare is extraordinary. The tone of the voice is unmistakably Sir John's, the atmosphere congenial. We're in the company of our greatest actor, who holds in his hands the last links of a ch, Acting Shakespeare to the inventory that you are selling on WonderClubX
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Add Acting Shakespeare, (Applause Books). From the London Sunday Telegraph : Acting Shakespeare is extraordinary. The tone of the voice is unmistakably Sir John's, the atmosphere congenial. We're in the company of our greatest actor, who holds in his hands the last links of a ch, Acting Shakespeare to your collection on WonderClub |