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Book Categories |
| Foreword | ||
| Criticism and Suicide | 32 | |
| Destructive Force | 32 | |
| Personal Animosity | 34 | |
| Technical Analysis | 36 | |
| Simply Listen | 37 | |
| Electioneering | 40 | |
| My Impostorship | 43 | |
| Funeral March | 46 | |
| Ruskin on Music | 48 | |
| My Stuff and Dr Stanford | 56 | |
| Gluck's Orfeo | 62 | |
| Don Giovanni | 67 | |
| The Mozart Centenary, 1891 | 73 | |
| Tuneful Little Trifles? | 79 | |
| His Gentleness | 81 | |
| Mozart and Beethoven | 83 | |
| Beethoven's Centenary | 83 | |
| Rossini Centenary, 1892 | 89 | |
| Weber's Der Freischutz | 93 | |
| The Damnation of Faust | 97 | |
| The Trombone | 103 | |
| The Art of Composition | 105 | |
| Das Rheingold | 105 | |
| The Tone Poet | 110 | |
| Bayreuth | 116 | |
| Falstaff | 127 | |
| A Word More about Verdi | 133 | |
| Spoof Opera | 146 | |
| Schonberg and Atonality | 155 | |
| Acting in Opera | 156 | |
| Rigoletto | 157 | |
| Directing Opera | 158 | |
| Cavalleria Rusticana | 160 | |
| Dramatic Singing | 162 | |
| A Bad Opera | 164 | |
| Opera Burlesqued | 169 | |
| Opera Impresario | 173 | |
| The New Italian School | 181 | |
| Sturgis and Sullivan | 195 | |
| Gilbert and Offenbach | 201 | |
| Gilbert and Solomon | 203 | |
| Gilbert and Cellier | 209 | |
| Gilbert, Sullivan & Others | 213 | |
| Gilbert and Sullivan | 214 | |
| Jane Annie | 220 | |
| Music Hall | 224 | |
| Christmas Pantomime | 225 | |
| Bands | 230 | |
| Comic Opera | 233 | |
| Yvette Guilbert | 239 | |
| What Is Religious? | 243 | |
| Handel's Messiah | 245 | |
| The Messiah Again | 247 | |
| Music in Church | 252 | |
| Mendelssohn's Elijah | 255 | |
| A Bad Oratorio | 257 | |
| Richard III as Music | 264 | |
| The Marseillaise | 268 | |
| In the West Country | 270 | |
| As Far as Greenwich | 276 | |
| Diction | 280 | |
| La Vie Parisienne | 283 | |
| The Popular Dramatist | 290 | |
| Incidental Music | 292 | |
| Paderewski | 299 | |
| A Recital Lecture | 302 | |
| The Public | 305 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
P. Silverman
reviewed Shaw on Music on June 02, 2017 Shaw on Music
Around four stars if you are not interested in opera. I'm not, yet consistently entertaining writing and trenchant criticism add a star, for anyone who enjoys those. Except:
Around three stars if you are not interested in classical music. Except:
Around two stars if you are interested in no music. Go away.
The first fifth is criticism of music criticism.
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