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| Introduction to Imre Kertesz and Holocaust literature | 1 | |
| Imre Kertesz and Hungarian literature | 11 | |
| Imre Kertesz, Jewishness in Hungary, and the choice of identity | 24 | |
| The aporia of Imre Kertesz | 38 | |
| Imre Kertesz, Hegel, and the philosophy of reconciliation | 51 | |
| Identities of the Jew and the Hungarian | 65 | |
| Representing the Holocaust, Kertesz's Fatelessness and Benigni's La vita e bella | 76 | |
| Imre Kertesz's Fatelessness as historical fiction | 89 | |
| Galley boat-log (Galyanaplo) : excerpts | 97 | |
| Reading Imre Kertesz in English | 111 | |
| Imre Kertesz's Fatelessness and the myth about Auschwitz in Hungary | 125 | |
| The historians' debate about the Holocaust in Hungary | 138 | |
| Imre Kertesz and Hungary today | 148 | |
| Imre Kertesz's aesthetics of the Holocaust | 162 | |
| The dichotomy of perspectives in the work of Imre Kertesz and Jorge Semprun | 171 | |
| Imre Kertesz and the filming of Sorstalansag (Fatelessness) | 182 | |
| Danilo Kis, Imre Kertesz, and the myth of the Holocaust | 195 | |
| Imre Kertesz's Jegyzokonyv (Sworn statement) and the self deprived of itself | 205 | |
| Imre Kertesz's Kaddish for a child not born | 220 | |
| Imre Kertesz's Nobel prize in literature and the print media | 232 | |
| Holocaust literature and Imre Kertesz | 247 | |
| The novelness of Imre Kertesz's Sorstalansag (Fatelessness) | 258 | |
| The media and Imre Kertesz's Nobel prize in literature | 271 | |
| Book review article : Jewish identity and anti-Semitism in Central European culture (books by Lamping, Gilman and Steinecke, Goltschnigg and Steinecke, Suleiman and Forgacs, and Wallas) | 286 | |
| A bibliography of Imre Kertesz's oeuvre and publications about his work | 300 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Betsy Bustos
reviewed Imre Kertesz and Holocaust Literature on May 04, 2011 Imre Kertesz and Holocaust Literature
Il libro:
Non c'è nulla di particolarmente nuovo nelle favole di Jean de La Fontaine riguardo ai contenuti, giacché Esopo e Fedro si sono mossi diversi secoli prima, ma lo stile è decisamente innovativo. Come dice lui stesso nella presentazione, il suo intento era solo quello di trasporre in versi le celeberrime favole di Esopo, con una lingua fresca, popolare perfino, e un verso libero in rima velato di senso dell'umorismo. L'intento educativo della favola, che deve narrare esclusivamente di animali, è qui accentuato dal giudizio dell'autore che traspare in ogni testo.
Mio malgrado devo ammettere che mi ricordo bene solo delle favole che già conoscevo, alcune per averle studiate a scuola.
La lingua:
Non pensavo che sarebbe stato così semplice leggere un testo francese del XVII secolo: forse il fatto di trattare argomenti popolari è stato d'aiuto... I racconti scorrono con facilità e ritmo e, chissà ?, forse per l'autore è stato uno sforzo produrre dei versi così fluidi.
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Add Imre Kertesz and Holocaust Literature, The volume fills a gap in scholarship about Imre Kertesz, whose work to date is largely unknown in the English-speaking world. The papers' authors are scholars from the US, Canada, the UK, Hungary, Germany, and New Zealand. In addition to the papers, the , Imre Kertesz and Holocaust Literature to the inventory that you are selling on WonderClubX
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Add Imre Kertesz and Holocaust Literature, The volume fills a gap in scholarship about Imre Kertesz, whose work to date is largely unknown in the English-speaking world. The papers' authors are scholars from the US, Canada, the UK, Hungary, Germany, and New Zealand. In addition to the papers, the , Imre Kertesz and Holocaust Literature to your collection on WonderClub |