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How Western Underwear Came to Japan | 3 | |
Skin | 4 | |
Inseminator Man | 6 | |
Durable Goods | 9 | |
The Life Opaque | 10 | |
Lost Innocence of the Potato Givers | 11 | |
The Professor Wonders If His Daughter Will Understand Tragedy | 14 | |
Tripe | 15 | |
On the Sunken Fish Processor Tenyo Maru | 16 | |
At Saint Placid's | 19 | |
Chekhov's Cruelty, Chekhov's Grace | 20 | |
Death Gets a Chair | 22 | |
On a Streetcorner in Merida | 27 | |
The Roots of Pessimism in Model Rocketry, the Fallacy of Its Premise | 29 | |
The Body Mutinies | 30 | |
Retablo with Multiple Selerosis and Saints | 31 | |
Flesh Tooth House | 35 | |
Elephant | 36 | |
Kilned | 38 | |
From the Occupied Zone | 39 | |
Women Who Sleep on Stones | 40 | |
On Belay | 41 | |
Thinking about Illness after Reading about Tennessee Fainting Goats | 42 | |
Compulsory Travel | 45 | |
The Tone | 47 | |
Rutter's Field | 49 | |
Limits | 51 | |
July 4, 1966 | 56 | |
Old Story | 58 | |
Needles | 60 | |
Autumn, 1939 | 64 | |
The Double Issue | 65 | |
Three Zen Poems with My Mother and Crows | 67 | |
Monorail | 68 | |
"What One Loves Are Things That Fade" | 71 | |
For My Washer and Dryer | 72 | |
The Marshall Street Poster of Marilyn Monroe | 75 | |
Archaeology of the Bed | 77 | |
Black Girls | 78 | |
On the Female Serial Killers | 79 | |
Barbie Tells Her Biography | 81 | |
An Amplified Gesture | 83 | |
Annunciation at a Foreign Film | 84 | |
Dressage | 86 | |
Cairn for Future Travel | 87 | |
The Body Rising | 88 | |
Notes | 91 |
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