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Swallow the Lake | 5 | |
Kitchen Chair Poem #4 | 7 | |
Kitchen Chair Poem #5 | 8 | |
My Seasonal Body | 9 | |
Waiting in the Children's Hospital | 10 | |
The Doll Believers | 12 | |
None of It Was | 13 | |
Bill's | 17 | |
Sailing | 18 | |
Dismal Moment Passing | 21 | |
Eighteen-Dollar Taxi Trip to Tizapan and Back to Chapala | 22 | |
The Nerve | 23 | |
The Rainy Season | 24 | |
Madman of the South Side | 29 | |
Food for Thought; or, Death Is Physical | 30 | |
Mother Junkie | 31 | |
The Cotton Club | 32 | |
Giant Red Woman | 35 | |
Words into Words Won't Go | 37 | |
The Expanded Composition | 38 | |
Read the Signs | 40 | |
The Way the Roundness Feels | 41 | |
A Life Story | 42 | |
Funeral | 43 | |
A Guy I Know on 47th and Cottage | 45 | |
The Wounded Bullfighter | 47 | |
Coon Showman | 49 | |
Sexual Conduct | 51 | |
Flowers for My Date | 52 | |
Beyond Impasse | 53 | |
In the Armpit of the Hill | 54 | |
Ballroom Dark | 55 | |
Pupa | 56 | |
Little Rock | 57 | |
Matthew | 58 | |
Young Woman | 59 | |
The Syncopated Cakewalk | 60 | |
At Pointe de Rompe Talon | 65 | |
Divine Law: A Blue Beach Sermon | 66 | |
In Absence of the Tree | 67 | |
Home on Rue du Bourg-Tibourg | 69 | |
Balance and Beauty | 70 | |
Montalban: Near the Ancient Fort | 71 | |
Revelation at Cap Ferrat | 73 | |
Seine Split | 75 | |
Dancing under the Stars at Nice | 77 | |
Atelier Cezanne | 78 | |
En Promenade des Anglais | 80 | |
On the Old Roman Road | 82 | |
Dressed to Kill | 84 | |
"and who must remain" | 87 | |
"He gave the Fascisti salute" | 91 | |
"and as the memory of each" | 96 | |
"There he was, a boy, looking over" | 97 | |
"The theme of Carnevale is a secret" | 105 | |
"Little places" | 113 | |
"We climbed the hill to the carriages" | 114 | |
"In Salute again" | 116 | |
"You set out on a morning bright" | 119 | |
"In a blazing sunset" | 122 | |
"and the single reality" | 123 | |
"See that stern castle" | 125 | |
"The old woman comes" | 128 | |
"They cut down the last tree" | 129 | |
"They canal, this one" | 130 | |
"Alone, I went into that special" | 131 | |
"A Venice dream of the mainland" | 133 | |
"In the hidden garden" | 134 | |
Lost in the Desert | 139 | |
In Hollywood with the Zuni God of War | 148 | |
A Gallup Swill-Hole; or, Cantina Blues | 157 | |
Tewa Victories | 158 | |
Sign Language | 166 | |
Saving Just the Real | 171 | |
First | 172 | |
Sand Flesh and Sky | 173 | |
Pencil Sketch | 175 | |
Riders | 177 | |
Posing | 178 | |
Round Midnight | 180 | |
Study for a Geographical Trail | 184 | |
The Other Side of the Wall | 191 | |
Bernardston | 198 | |
The Swine Who's Eclipsed Me | 204 | |
Love against Death | 206 | |
Apple Core | 210 | |
Honey Dripper | 212 | |
Frenzy | 214 | |
Wyoming | 217 | |
Train Stop | 220 | |
Un Poco Loco | 224 | |
In Walked Bud with a Palette | 229 | |
Being and Becoming | 233 | |
The String | 235 | |
Unwanted Memory | 236 | |
Dance Floor | 238 | |
Bricks and Sleep | 239 | |
A Slow Process | 241 | |
The Apple-Maggot Fly | 244 | |
The Great Horned Owl | 247 | |
The Jake Flower | 249 | |
No Time for Self-Pity | 252 | |
September Mendocino | 254 | |
Descendant of Solomon and the Queen of Sheba | 260 | |
Waiter in a California Vietnamese Restaurant | 263 | |
Brief Visit to Venice | 264 | |
No Single Thing by Itself | 266 | |
Clay Bison in a Cave | 269 | |
Stillness and Vertigo | 270 | |
View from His Room | 272 | |
At the Zoo in Spain | 274 | |
Arriving Uninvited | 275 | |
Santa Maria dei Frari | 276 | |
Birds | 278 | |
Darwin's Dream | 281 | |
Heartland Music | 282 | |
On the Nature of Perspective | 284 | |
Downwind | 285 | |
Looking at Images Reflected in the Showcase Plate Glass | 286 | |
The Perfect Match | 287 | |
Hazy Day in the Composition | 288 | |
Drawing from Life | 289 | |
Harps | 291 | |
Three Views of Horse | 292 | |
The Textures of Space | 293 | |
The Dispute | 294 | |
Measure | 296 | |
Aging Together | 298 | |
The Slave Trade: View from the Middle Passage | 300 | |
Acknowledgments | 321 | |
About the Author | 323 |
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Add Configurations: New & Selected Poems, 1958-1998, Finalist for the National Book Award Drawing his most outstanding work from nine previous volumes of award-winning poetry, Clarence Major had added a substantial body of new work to present a clear assessment of his forty-year career. By turns h, Configurations: New & Selected Poems, 1958-1998 to the inventory that you are selling on WonderClubX
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Add Configurations: New & Selected Poems, 1958-1998, Finalist for the National Book Award Drawing his most outstanding work from nine previous volumes of award-winning poetry, Clarence Major had added a substantial body of new work to present a clear assessment of his forty-year career. By turns h, Configurations: New & Selected Poems, 1958-1998 to your collection on WonderClub |