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Introduction | ix | |
1 | Do You Have the Time to Involve Your Child in Film or Television? | 1 |
2 | Assembling Your Team | 5 |
Do I need an agent? | 5 | |
How are agents paid? | 6 | |
How do I find an agent? | 7 | |
Choosing a good agent | 12 | |
Getting agents to come to you | 15 | |
What if I live out of town? | 15 | |
Do I need a manager? | 16 | |
Should my child take classes? | 16 | |
Talent and model searches | 17 | |
3 | The Casting Call | 19 |
How does casting work? | 20 | |
How do they decide who will audition? | 20 | |
Breakdown services | 22 | |
Internet breakdown services | 22 | |
Auditions | 23 | |
Who will be at the audition? | 23 | |
How do directors decide which child to use? | 24 | |
Who decides who gets the part? | 24 | |
Why is more than one child often hired? | 25 | |
How does casting differ for film and television? | 25 | |
Taping auditions | 26 | |
On hold | 26 | |
Casting background | 26 | |
Internet message boards | 27 | |
4 | Headshots | 29 |
How important is a good headshot? | 29 | |
What to send out for your agent search | 30 | |
Taking your own headshots | 30 | |
Choosing a photographer | 30 | |
Preparing for the photo shoot | 31 | |
Choosing the headshot | 32 | |
Making reproductions | 33 | |
5 | The Audition | 43 |
Keeping track of the details | 43 | |
Who goes to the audition? | 43 | |
Day/date | 46 | |
Time | 46 | |
Place | 47 | |
Casting director | 47 | |
Project | 47 | |
Scene | 47 | |
Appearance | 48 | |
Lines, sides, and storyboards | 48 | |
Callback dates | 50 | |
Shoot dates | 50 | |
Expenses | 51 | |
Got callback | 51 | |
Some guidelines for making auditions go smoothly | 51 | |
Take only the child that is going to audition | 52 | |
Check in with the assistant when you arrive | 52 | |
Keep yourself occupied | 54 | |
Familiarize yourself with the proceedings | 54 | |
What if my child is reluctant to audition? | 55 | |
What happens in the audition? | 55 | |
What time will auditions be held? | 56 | |
6 | Working Background | 57 |
Scheduling your time | 57 | |
Working conditions | 58 | |
Upgrading | 58 | |
Some tips for working background | 59 | |
Keeping track of the details | 60 | |
Location | 60 | |
Project and scene | 60 | |
Wardrobe | 60 | |
Wrangler/assistant director | 64 | |
Expenses | 64 | |
Background performer vouchers | 64 | |
7 | How to Behave on the Set | 69 |
What to do on set | 69 | |
What not to do on set | 73 | |
8 | Working Conditions for Children | 75 |
Parent must be present | 76 | |
Performance requirements | 76 | |
Child not required to perform in dangerous situations | 76 | |
Physical, athletic, or acrobatic activity | 77 | |
Parent's written consent required for all stunts | 77 | |
Work with animals | 77 | |
Children employed in scenes depicting child abuse or carnal acts | 77 | |
Responsibility of the parent | 77 | |
Parent actions are subject to review | 77 | |
Parent must accompany child when traveling | 78 | |
Parent must be familiar with child's role | 78 | |
Permits | 78 | |
School permit | 78 | |
Working permit | 78 | |
Canadian Union Work Permit | 81 | |
Emergency medical authorization | 81 | |
Parent disclosure | 81 | |
Working hours | 81 | |
Rest and recreation | 81 | |
Five-out-of-seven-day work week | 81 | |
Hours of work for children | 81 | |
Meal break | 83 | |
Working with infants | 83 | |
Infant defined | 83 | |
Minor defined | 83 | |
Physician's statement | 83 | |
Adequate facilities for infants | 83 | |
Exposure to light | 84 | |
Handling infants | 84 | |
Altering an infant's appearance | 84 | |
Schooling | 84 | |
Wages for time on set | 86 | |
Dressing/change rooms | 86 | |
Child's coordinator | 86 | |
9 | The Unions, the Money, and What You Really Want to Know | 87 |
Working in a union | 87 | |
Payment scales and minimum rates | 88 | |
Background rates | 90 | |
Actor rates | 90 | |
Session fees and residuals | 90 | |
How long before I get paid? | 94 | |
Your agent's commissions and deductions | 94 | |
Protecting your child's income | 95 | |
10 | Who Does What in the Film and Television Industry | 97 |
IATSE jobs | 98 | |
Director | 98 | |
Second unit director | 98 | |
First assistant director | 98 | |
Second assistant director | 99 | |
Production manager, unit production manager, production coordinator, and their assistants | 99 | |
Accountants | 99 | |
Locations manager and assistants | 99 | |
Production designer/art director | 99 | |
Editing | 100 | |
Sound team | 100 | |
Foley artist | 100 | |
Photography department | 100 | |
Gaffer | 101 | |
Grips | 101 | |
Greenspeople | 101 | |
Makeup and hair artists | 101 | |
Construction/painters | 102 | |
Property master/props | 102 | |
Publicist | 102 | |
Script supervisor | 102 | |
Set decorating | 102 | |
Colorist, color consultant | 103 | |
Special effects | 103 | |
Video special effects | 103 | |
Matt artists | 103 | |
Teamsters | 103 | |
Producers | 104 | |
Producer | 104 | |
Executive producer | 104 | |
Co-producers | 104 | |
Associate producer | 105 | |
Line producer | 105 | |
Appendix | Online Resources | 107 |
Glossary | 109 |
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