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Acknowledgements | 11 | |
About this Edition | 12 | |
Abbreviations and Website | 14 | |
Introduction | 15 | |
Felicia Hemans: A Brief Chronology | 86 | |
"To the Muse" | 93 | |
"A Tribute to the Genius of Robert Burns" | 93 | |
"The Farewell" | 95 | |
From England and Spain; or, Valour and Patriotism (1808) | 96 | |
"Sonnet to Italy" | 103 | |
"War-Song of the Spanish Patriots" | 103 | |
"The Domestic Affections" | 106 | |
From The Restoration of the Works of Art to Italy (1816) | 112 | |
From Modern Greece (1817) | 124 | |
Sonnet 282: "Wrapt in sad musings" | 142 | |
da Filicaja: "Italia, Italia! O tu cui die la sorte" | 143 | |
"Guerilla Song" | 144 | |
"The Widow of Crescentius" | 145 | |
"The Wife of Asdrubal" | 173 | |
"The Rock of Cader-Idris" | 177 | |
from "The Siege of Valencia" | 179 | |
from "Other Poems" | 196 | |
"Songs of the Cid" | 196 | |
"The Cid's Departure into Exile" | 197 | |
"The Cid's Death-bed" | 198 | |
"The Cid's Funeral Procession" | 201 | |
"The Cid's Rising" | 205 | |
from "Other Poems" | 207 | |
"The Voice of Scio" | 207 | |
"The Spartan's March" | 209 | |
"The Tombs of Plataea" | 211 | |
"England's Dead" | 213 | |
"The Voice of Spring" | 215 | |
From The Vespers of Palermo (1823) | 219 | |
"The Forest Sanctuary" | 227 | |
"The Treasures of the Deep" | 299 | |
"Casabianca" | 300 | |
"Evening Prayer at a Girls' School" | 302 | |
"The Lost Pleiad" | 304 | |
"The Breeze from Shore" | 305 | |
"Arabella Stuart" | 307 | |
"The Switzer's Wife" | 318 | |
"Properzia Rossi" | 323 | |
"Pauline" | 328 | |
"The Grave of a Poetess" | 332 | |
"The Homes of England" | 334 | |
"To Wordsworth" | 336 | |
"Korner and His Sister" | 337 | |
"The Landing of the Pilgrim Fathers in New England" | 340 | |
"The Palm-tree" | 342 | |
"The Child's Last Sleep" | 344 | |
"The Illuminated City" | 345 | |
"The Graves of a Household" | 347 | |
"The Image in Lava" | 348 | |
"Woman and Fame" | 351 | |
"Woman on the Field of Battle" | 353 | |
"Corinne at the Capitol" | 355 | |
"The Ruin" | 357 | |
"The Song of Night" | 360 | |
"The Diver" | 362 | |
"The Requiem of Genius" | 364 | |
"Second Sight" | 366 | |
"To a Younger Child" | 369 | |
from "Scenes and Passages from the 'Tasso' of Goethe'" | 370 | |
Poems (1834) | 374 | |
Preface | 374 | |
"Prisoners' Evening Service" | 375 | |
from "Miscellaneous Poems" | 381 | |
"I. Invocation" | 381 | |
"II. Invocation Continued" | 382 | |
"IV. Ruth" | 382 | |
"VII. The Annunciation" | 383 | |
"IX. The Penitent Anointing Christ's Feet" | 384 | |
"XV. Mary Magdalene bearing Tidings of the Resurrection" | 384 | |
"Communings with Thought" | 385 | |
"I. The Sacred Harp" | 387 | |
"Elysium" | 388 | |
"Introductory Stanzas: The Themes of Song" | 392 | |
"Rhine Song of the German Soldiers after Victory" | 394 | |
"Books and Flowers" | 396 | |
"Scene in a Dalecarlian Mine" | 398 | |
"Intellectual Powers" | 400 | |
"Sickness like Night" | 400 | |
"The Recovery" | 401 | |
"V. A Thought of the Sea" | 402 | |
"XII. A Remembrance of Grasmere" | 403 | |
"XIII. On Reading Paul and Virginia in Childhood" | 404 | |
"I. The Return to Poetry" | 405 | |
"II. On Reading Coleridge's Epitaph Written by Himself" | 405 | |
"VII. Design and Performance" | 406 | |
"IX. To Silvio Pellico, on Reading his 'Prigione"' | 407 | |
"X. To the Same, Released" | 408 | |
"To the Mountain Winds" | 408 | |
"Sabbath Sonnet" | 410 | |
App. A | Selected Letters | 411 |
App. B | Views and Reviews | 446 |
Select Bibliography | 489 |
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Add Felicia Hemans: Selected Poems, Felicia Hemans was the most widely read woman poet in the nineteenth-century English-speaking world. Broadview's edition shows why she was one of the few standard poets to be found in middle-class homes on both sides of the Atlantic, despite being routine, Felicia Hemans: Selected Poems to the inventory that you are selling on WonderClubX
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Add Felicia Hemans: Selected Poems, Felicia Hemans was the most widely read woman poet in the nineteenth-century English-speaking world. Broadview's edition shows why she was one of the few standard poets to be found in middle-class homes on both sides of the Atlantic, despite being routine, Felicia Hemans: Selected Poems to your collection on WonderClub |