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Acknowledgments ix
Introduction 1
Scrutiny, Sentiment, Sensation: American Modernism and the Bodies of the Dispossessed 35
Sensational Contact: William Carlos Williams's Short Fiction and the Bodies of New Immigrants 76
Modernist Documentary: Aaron Siskind's Harlem Document 107
A Piece of the Body Torn Out by the Roots: James Agee, Tillie Olsen, William Faulkner, and the Contingencies of Working-Class Representation 141
Monstrous Modernism: Laboring Bodies, Wounded Workers, and Narrative Heterogeneity in Pietro di Donato's Christ in Concrete 181
No Man's Land: Richard Wright, Stereotype, and the Racial Politics of Sensational Modernism 215
Conclusion: Modernism, Poverty, and the Politics of Seeing 257
Notes 265
Index 311
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Add Sensational Modernism: Experimental Fiction and Photography in Thirties America, Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as We, Sensational Modernism: Experimental Fiction and Photography in Thirties America to the inventory that you are selling on WonderClubX
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Add Sensational Modernism: Experimental Fiction and Photography in Thirties America, Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as We, Sensational Modernism: Experimental Fiction and Photography in Thirties America to your collection on WonderClub |