Momzillas Book

The mothers on Manhattan’s chic Upper East Side are highly educated, extremely wealthy, and very competitive. They throw themselves and all of their energy and resources into full-time child rearing, turning their kids into the unwitting pawns in a game where success is measured in precocious achievements, jam-packed schedules, and elite private-school pedigrees.

Hannah Allen has recently moved to the neighborhood with her New York City-bred investment banker husband and their two-year-old daughter, Violet. She’s immediately inundated by an outpouring of advice from her not-so-well-intentioned new friends and her overbearing, socially conscious mother-in-law, who coach her on matters ranging from where to buy the must-have $300 baby dress to how to get into the only pre-pre-preschool that counts. Despite her better instincts and common sense, Hannah soon finds herself caught up in the competitive whirl of high-stakes mothering.

Publishers Weekly

Kargman is no worse off without writing partner Carrie Karasyov (The Right Address; Wolves in Chic Clothing) in her first solo novel, a breezy jaunt through the Manhattan nursery grinder. Recently relocated to the Upper East Side from San Francisco after her husband, Josh, took a lucrative job, Hannah Allen is thrown into the mommy snake pit by her domineering mother-in-law, Lila Allen Dillingham, who introduces Hannah to a cabal of neighborhood moms led by the "drop dead gorgissima" Bee Elliott. Hannah, a black-jeans-and-Converse art history grad and mother of too-cute two-year-old Violet, struggles to please Lila and keep up with Bee's hypercompetitive crew of "Kelly-bag-toting, Chanel-suit-wearing, Bugaboo-pushing sharks" who fret over their children's head circumferences and admissions into pre-preschools with three-year waiting lists. There's no shortage of name-dropping and light humor as Hannah struggles to win a co-op board's approval, keep her marriage afloat and get Violet into Carnegie Nursery School. Though a bevy of "awky" abbreviations litter the narrative ("unfortch" "sitch," "actsch"), Kargman writes with verve. Fans of the genre won't be disappointed. (Apr.)

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