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Dorothea’s father, like all good parents, wanted to keep his children safe. But unlike other parents, Charles O’Brien believed the only way to do so was to leave everything behind, including his very successful life. In a rocky, desolate corner of New Mexico, on a thirty-five acre estate he called the “Sanctuary,” Charles raised the children in complete isolation, with books and encyclopedias, records and a grand piano, but no television, computer, radio, or even a newspaper. Now, Dorothea, at twenty-three, is leaving this place for the first time, in search of her missing brother - and venturing into the world.
Dorothea’s search will turn into an odyssey of discovery, leading to the truth of her family’s past and the terrifying day that changed her father forever. But Dorothea’s journey will also introduce her to an unusual cast of characters, including a homeless girl from Missouri who becomes a jazz singer and a doctor turned cabdriver who has suffered his own losses. Together, they have a chance to make a discovery of a different kind: that though a heart can be broken by the tragic events of a day, a day can also bring a new chance at love and a deeper understanding of life’s infinite possibilities.
Tucker's complexly structured novel could be a tight wire act for a reader because the story has multiple narrators and follows two compelling story lines separated by almost two decades. Fortunately, Bean is a dexterous performer who is more than up to the challenge. She does an admirable job, not only reading chapters in alternating character voices but also enlivening dialogue within those chapters with subtle, compelling and entertaining voices for each character. She adapts a higher, airy lightness to portray Dorothea, who is thrust out into the modern world to discover family secrets after having been sheltered from the outside world for decades by her overprotective father. Bean portrays Dorothea's emotionally damaged brother, Jimmy, with a scratchy, raw rasp and her cab-driving protector, Stephen, with the laid-back ease of a lower register. (The only voice that seems off is Dorothea's father, who sounds like a robotic Hannibal Lechter.) Tucker's tale is a twisty one filled with surprising revelations and multiple emotional payoffs, and Bean maneuvers the terrain with ease. Simultaneous release with the Atria hardcover (Reviews, Nov. 28). (Apr.) Copyright 2006 Reed Business Information.
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